St. Basil's Cathedral in Moscow

Russian students don’t just gain a thorough mastery of the language. Each student is also able to focus on a particular area of interest. Some choose a traditional literature major. Others pursue advanced coursework in such fields as history, sociology, or cinema. The department offers an immersive off-campus program in Moscow.

St. Basil's Cathedral in Moscow

About Russian

Russian is the eighth most-spoken language in the world, with some 155 million native speakers–30 million of whom live outside the Russian Federation. In our first-year sequence we cover the fundamentals with equal emphasis on speaking, listening, writing, and reading. Traditional materials are supplemented by fairy tales, folk songs, rock music video, film clips and internet materials from across the Russophone world. By the end of Russian 204, students are able to read short prose by Chekhov, Dostoevsky, and Tolstoy, and to communicate functionally with native speakers. Language courses beyond 204 address contemporary cultural and social issues while focusing on skill development at the intermediate and advanced level. Students with pre-college Russian, either acquired or native, should consult the department for placement information.

Literature and Cultural Studies

We teach a variety of courses in English translation with no prerequisites (230-295). Topics courses at the 330-395 level are conducted entirely in Russian, providing opportunities for students to expand their linguistic range, as well as their understanding of analytical techniques and cultural contexts.

Requirements for the Russian Major

  66 credits, including the following:

  • RUSS 205 (6 credits);
  • RUSS 207 or 307 or the equivalent (3 credits);
  • 12 credits in English: Russian courses conducted in English numbered 150 or above or CAMS 237
  • 18 credits numbered 330 or above, 6 of which will normally be RUSS 395
  • CCST 245 Meaning and Power: Introduction to Analytical Approaches in the Humanities (6 credits) preferred, but in consultation with their advisor, students may substitute a comparable methods course in a different field.
  • 15 credits of electives from the list below:
  • CCST 233: The Art of Translation in the Age of the Machine
  • HIST 240: Tsars and Serfs, Cossacks and Revolutionaries: The Empire that was Russia
  • HIST 241: Russia through Wars and Revolutions · not offered in 2023-24
  • HIST 242: Communism, Cold War, Collapse: Russia Since Stalin
  • HIST 341: The Russian Revolution and its Global Legacies · not offered in 2023-24
  • RUSS 100: From Underground Man to Invisible Man
  • RUSS 204: Intermediate Russian
  • RUSS 207: Russian at a Cultural Crossroad Program: Intermediate Grammar · not offered in 2023-24
  • RUSS 208: Russian at a Cultural Crossroad Program: Intermediate Phonetics · not offered in 2023-24
  • RUSS 209: Russian at a Cultural Crossroad Program: Intermediate Conversation · not offered in 2023-24
  • RUSS 237: Beyond Beef Stroganoff: Food in Russian Culture · not offered in 2023-24
  • RUSS 239: The Warped Soul of Putin’s Russia · not offered in 2023-24
  • RUSS 244: The Rise of the Russian Novel
  • RUSS 261: Lolita · not offered in 2023-24
  • RUSS 266: The Brothers Karamazov · not offered in 2023-24
  • RUSS 267: War and Peace · not offered in 2023-24
  • RUSS 280: 1917 · not offered in 2023-24
  • RUSS 301: Current Events in the Russophone Media · not offered in 2023-24
  • RUSS 307: Russian at a Cultural Crossroad Program: Advanced Grammar · not offered in 2023-24
  • RUSS 308: Russian at a Cultural Crossroad Program: Advanced Phonetics and Intonation · not offered in 2023-24
  • RUSS 309: Russian at a Cultural Crossroad Program: Advanced Practicum · not offered in 2023-24
  • RUSS 331: The Wonderful World of Russian Animation · not offered in 2023-24
  • RUSS 332: Chekhov in Film, Film in Chekhov · not offered in 2023-24
  • RUSS 342: Post-Soviet Film
  • RUSS 345: Russian Cultural Idioms of the Nineteenth Century · not offered in 2023-24
  • the integrative exercise (6 credits)

Courses 101, 102 and 103 do not count toward the major. IB or other pre-matriculation credits do not count toward the major.

Study Abroad: Participation in foreign study programs is highly recommended. Consult the “Off-Campus Studies” section of the catalog for a description of the Carleton program in Qazaqstan. Departmental approval of credit for participation in non-Carleton overseas programs should be sought before leaving campus.

Language House: Students have the opportunity to immerse themselves in the language by living in Parish International House. A Language Associate who is a native speaker of Russian provides opportunities for conversation practice and assists students in organizing a variety of cultural activities.

Requirements for the Russian Minor

36 credits with a grade of C- or better, including:

Courses 101, 102 and 103 do not count toward the minor. IB or other pre-matriculation credits do not count toward the major.

Russian Courses

  • RUSS 100 From Underground Man to Invisible Man

    In 1864 Fyodor Dostoevsky created an unnamed character whose response to his own alienation was to retreat to a life under the floorboards, where he mused on the imperfectability of human society and the nature of free will. A century later, African-American writer Ralph Ellison, author of the novel Invisible Man, called Dostoevsky his “literary ancestor.” In this course we will study Notes from Underground in its original cultural context and then turn to how the book was adapted, contested, and reinterpreted by Dostoevsky’s literary descendants around the world, each in their own way investigating what it means to be human.

  • RUSS 101 Elementary Russian

    For students with no previous training in or minimal knowledge of Russian. Simultaneous development of skills in speaking, reading, aural comprehension, writing. Students with prior instruction or who speak Russian at home should consult the department for placement information. Class meets five days a week.

  • RUSS 102 Elementary Russian

    Continues Russian 101.

  • RUSS 103 Elementary Russian

    Concludes introductory method of Russian 101-102.

  • RUSS 204 Intermediate Russian

    Continued four-skill development using texts and resources from a variety of sources. Emphasis on communicative skills.

  • RUSS 205 Russian in Cultural Contexts

    In this course students continue to develop skills of narration, listening comprehension, and writing, while exploring issues of contemporary Russian life and consciousness. The issues are examined from the position of two cultures: American and Russian. The course draws on a variety of sources for reading and viewing, including the periodic press, film, and music.

    Not offered in 2023-24

  • RUSS 207 Russian at a Cultural Crossroad Program: Intermediate Grammar

    This course aims at vocabulary expansion and the assimilation and activation of formulaic conversational structures and speech etiquette at the same time it develops familiarity with more complex principles of Russian grammar. This course is conducted by members of Kazakh National University’s Philological Faculty and supervised by the program director.

    Not offered in 2023-24

  • RUSS 208 Russian at a Cultural Crossroad Program: Intermediate Phonetics

    This course is taken in combination with Russian 207. Students focus on the essentials of Russian pronunciation and correction. Preliminary work in intonation will be offered. This course is conducted by members of Kazakh National University’s Philological Faculty and supervised by the program director.

     

    Not offered in 2023-24

  • RUSS 209 Russian at a Cultural Crossroad Program: Intermediate Conversation

    This course is taken in combination with Russian 207. Emphasis will be placed on socially relevant reading materials. This course is conducted by members of Kazakh National University’s Philological Faculty and supervised by the program director. 

     

    Not offered in 2023-24

  • RUSS 228 Russian at a Cultural Crossroad Program: Dialogues in the Russophone World

    In this course we will the address the problem of Russophonia and the changing role of the Russian language in the post-Soviet world. Through discussions of theoretical readings, literary texts and cultural artefacts, we will explore spaces for creative dialogues among writers and artists in the post-Soviet states and the Russophone diasporas. Topics will include the post-colonial search for identity in contemporary art; linguistic, gender and cultural hybridity in prose and poetry; imperial legacies, trauma and (post)memory in historical and auto-fiction; and connections between creative communities and ecological and political activism. Taught in English.

     

    Not offered in 2023-24

  • RUSS 237 Beyond Beef Stroganoff: Food in Russian Culture

    How did the Russian peasant stove shape culinary culture? Why did Catherine the Great force her subjects to cultivate potatoes? How did the October Revolution change the way Soviet citizens ate? In this course we will study key aspects of Russian history and culture through the lens of culinary history. Topics will include: food and fasting in Russian Orthodoxy; food, class and power under the tsars; high Russian (or is it French?) culture of the nineteenth century; Soviet policies for feeding the worker; non-Russian cuisines in the Soviet Union; drinking culture and anti-alcohol campaigns; food and nationalism in the twenty-first century. Includes hands-on sessions on Russian food preparation. In English.

    Not offered in 2023-24

  • RUSS 239 The Warped Soul of Putin’s Russia

    What is Russia’s problem? Why is the country famous for its great “soul” and culture waging a bloody war and becoming increasingly anti-Western? This course explores the cultural mythology that characterizes the state of contemporary Russian society and its “soul,” using critical approaches from trauma and memory studies, as well as theories of ressentiment and nostalgia. Authors to be studied include ideologues of Putin’s Russia (Surkov, Prilepin), its critics (Sorokin), and other writers, artists, and filmmakers who reflect, define, question, and challenge the direction in which country is moving and give it a cultural diagnosis. In English.

    Not offered in 2023-24

  • RUSS 244 The Rise of the Russian Novel

    From the terse elegance of Pushkin to the psychological probing of Dostoevsky to the finely wrought realism of Tolstoy, this course examines the evolution of the genre over the course of the nineteenth century, ending with a glimpse of things to come on the eve of the Russian Revolution. Close textual analysis of the works will be combined with exploration of their historical and cultural context. No prior knowledge of Russian or Russian history is required.

  • RUSS 261 Lolita

    Rejected by every major publisher, first released in France in 1955 by a press known for pornographic trash, Vladimir Nabokov’s scandalous novel about a middle-aged immigrant college professor obsessed with a twelve-year-old girl continues to feed controversy as well as to challenge and delight readers with its labyrinthian narrative, endless wordplay, innumerable intertextual allusions, and troublesome eroticism. In addition to reading the novel, we will focus on critical approaches that address the cultural clash underlying the ostensible plot, changing reception, and reception of the novel outside the US. Thus warned, you are invited to join the jury in deliberating the designs and delights of this twentieth-century literary classic.

    Not offered in 2023-24

  • RUSS 263 Madness and Madmen in Russian Culture

    This course explores the theme of madness in Russian literature and arts from the medieval period to the present. Madness is a basic but controversial aspect of world culture that has preoccupied Russian minds since medieval times. It is reflected in numerous stories, plays, paintings, films, and operas, as well as in medical, political, and philosophical essays. Madness has been treated by great Russian authors and artists not only as a medical or psychological matter, but also as a metaphysical one, touching the deepest levels of human consciousness, encompassing problems of suffering, imagination, history, sex, social and world order, evil, retribution, death, and the afterlife. Taught in English. No knowledge of Russian is required.

  • RUSS 266 The Brothers Karamazov

    Fyodor Dostoevsky’s last novel, The Brothers Karamazov, is many things: a riveting murder mystery, a probing philosophical treatise, one of the best known novels in world literature, and a complex book worth reading and discussing with serious readers of diverse backgrounds. We will familiarize ourselves with the historical and philosophical context in which it was written, while grappling with the fundamental questions it raises: What does it mean to act morally? Why do humans so often act against their own best interest? How do we reconcile a world of chaos and suffering with the notion of a benevolent god? Conducted entirely in English.

    Not offered in 2023-24

  • RUSS 267 War and Peace

    Against the backdrop of the Napoleonic Wars, Lev Tolstoy challenges readers to confront some of the most confounding questions of human existence: How can we reconcile the notion of free will with the seemingly ineluctable forces of history? Is individual moral action possible in war? How can we live a meaningful life in the face of inevitable death? And what might lie after death? In this course we read War and Peace in its cultural and historical context, while also considering how it continues to be relevant to our lives today. Conducted in English.

    Not offered in 2023-24

  • RUSS 280 1917

    Short texts in a variety of genres connected with the momentous events of 1917 provide the basis for continued development of reading, writing, listening, and speaking skills. 

    Not offered in 2023-24

  • RUSS 290 Russian at a Cultural Crossroads Program: Reading for Qazaqstan

    Not offered in 2023-24

  • RUSS 293 Advanced Russian Skill Development

    In this course students use authentic materials to learn about selected aspects of Russian culture in global context, while continuing to develop their speaking, listening, writing, and reading skills. For students who have completed the language requirement in Russian.  

     

    Not offered in 2023-24

  • RUSS 301 Current Events in the Russophone Media

    In weekly meetings we will discuss in Russian current events taking place in Russia and around the world as reported by the Russophone online media. Emphasis will be on reading, listening, and conversation. Vocabulary building by topics; grammar as needed.

    Not offered in 2023-24

  • RUSS 307 Russian at a Cultural Crossroad Program: Advanced Grammar

    This course combines advanced work in Russian grammar (largely corrective) and fundamentals in composition, with conversational Russian.

    Not offered in 2023-24

  • RUSS 308 Russian at a Cultural Crossroad Program: Advanced Phonetics and Intonation

    This course is taken in combination with Russian 307. Students focus on corrective pronunciation and theory and practice of Russian intonation. This course is conducted by members of Kazakh National University Philological Faculty and supervised by the program director.

    Not offered in 2023-24

  • RUSS 309 Russian at a Cultural Crossroad Program: Advanced Practicum

    This course aims at skill development in speaking and oral presentation as well as in limited forms of composition. It is taken in combination with Russian 307 and conducted by members of Kazakh National University Philological Faculty and supervised by the program director.

    Not offered in 2023-24

  • RUSS 331 The Wonderful World of Russian Animation

    Beginning in the 1910’s, Russian and then the Soviet Union was home to some of the most creative and innovative animated films in the world. In this course we will examine selected animated shorts in the context of Russian history and culture. Topics to be considered include the roots of animated film in the folk tale, the role of cartoons in educating the model Soviet child, the language of Soviet colonial discourse, and the ways in which post-Soviet animated films perpetuated or subverted past traditions. 

    Not offered in 2023-24

  • RUSS 332 Chekhov in Film, Film in Chekhov

    Chekhov’s literary oeuvre appeared at the same moment as the birth of cinematography, and the two are closely intertwined. His art rests on what Sergei Eisenstein called the central principle of film: montage, visuality, the constant changing of shots, and dislocation in time and space. It is no wonder that Chekhov’s stories were adapted for the screen in record numbers: to date we count 235 film adapatations plus 10 animated films. In this course we will read several of his best short stories, view films based on his works, and analyze the cinematographic qualities of Chekhov’s prose.

    Not offered in 2023-24

  • RUSS 335 Oral History of Russian-Speaking America

    Students will study the history of Russian-speaking immigration to America through readings and discussions of cultural texts which situate it at the intersection of history, memory, and life story narratives. They will listen to Russian-language oral histories and research archival materials that present personal life stories against the background of traumatic experiences of recent history: in the context of historical events and transformations, such as wars, revolutions, repressions, the Soviet era, and its collapse. We will also collaborate with a local community partner to record and preserve the oral history of Russian-speaking Minnesotans. Students will learn basic interviewing skills, and practice transcribing and translating oral texts. Taught in Russian.

  • RUSS 342 Post-Soviet Film

    This course focuses on the question of collective identity in post-Soviet cinema. Topics include the marginalization of “the other,” whether disabled, gay, hipster, migrant or elderly; the breaking down of the boundary between civil society and the criminal world; and the transformation of former “brothers” into outsiders. In light of current events in Ukraine, particular emphasis will be placed on films dealing with war. Conducted in Russian.

  • RUSS 345 Russian Cultural Idioms of the Nineteenth Century

    An introduction to the names, quotations, and events that every Russian knows–knowledge which is essential to understanding Russian literature, history, and culture of the last two centuries. We will study the works of Russian writers (Griboedov and Pushkin, Leskov and Dostoevsky), composers (Glinka, Mussorgsky, Rimsky-­Korsakov, and Tchaikovsky), artists (Briullov, Ivanov, the Itinerants) and actors (Mochalov, Shchepkin) in the context of social thought and the social movements of the nineteenth century. Conducted in Russian.

    Not offered in 2023-24

  • RUSS 351 Chekhov

    A study of Chekhov’s short fiction, both as an object of literary analysis and in the interpretation of critics, stage directors and filmmakers of the twentieth century. We will also examine the continuation of the Chekhovian tradition in the works of writers such as Bunin, Petrushevskaia and Pietsukh. Conducted in Russian.

    Not offered in 2023-24

  • RUSS 391 Independent Study

    Not offered in 2023-24

  • RUSS 395 Senior Seminar: The Cult of Stalin

    Drawing on materials from film, literature, architecture, and mass culture, we will examine the cult of Iosif Stalin during “the Leader’s” lifetime and continuing into subsequent eras through both repudiation and periodic revivals. We will address the pagan and Christian foundations of the Stalin cult, as well as its connections with the cult of Lenin. Conducted entirely in Russian.

    Not offered in 2023-24

  • RUSS 400 Integrative Exercise