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Courses

  • AMST 115: Introduction to American Studies: The Immigrant Experience

    Is America truly a nation of immigrants? What role has immigration played in the construction of an American identity? This course is a team-taught, comparative study of the experience of migrants and immigrants to America and other countries. We will use texts from history, literature, film, psychology, and other disciplines to help us investigate the following topics: the causes of emigration; acculturation and assimilation; changes in family structure and gender roles; discrimination; and ongoing debates about immigration policy in relation to national ideals and principles. 6; Humanities, Recognition and Affirmation of Difference Requirement; offered Spring 2008 -- S. Akimoto, C. Clark
  • AMST 115: Introduction to American Studies: Placing Identities

    This course will examine the different spaces that inform the production of U.S. identities. We will think about the ways the construction of neighborhoods (urban or suburban) affects our sense of place, ethnicity, and community; we'll consider the impact that border geographies, whether physical or cultural, have on national imaginings; we shall look at contemporary cultural expressions of small town vs. big city life and consider what they feature as particular and unique about Americanness. 6; Arts and Literature; offered Fall 2007 -- N. Cho, A. Estill
  • AMST 127: Introduction to U.S. Latino/a Studies

    This course will survey the field of Latino/a Studies, juxtaposing it to Chicano, Caribbean and Latin American Studies in order to trace the historical, methodological, and paradigmatic conflicts that led to its institutionalization. How does the lens of U.S. Latino/a Studies help us to examine heterogeneous and changing Latino communities? How are the "Latin Boom" of the entertainment industry and the recent demographic shift that places Latinos as the "majority minority" related? A selection of texts from a variety of disciplines (including history, the social sciences, literature, music, and the visual arts) will inform our discussions. 6; Recognition and Affirmation of Difference Requirement, Does not fulfill a distribution requirement; offered Winter 2008 -- A. Estill
  • AMST 222: Cheating in Baseball: An Ethical & Historical Study

    Ever wonder why the “phantom tag” is illegal in the official baseball rulebook but is regularly seen on ESPN? Cheating in baseball is as old as the game itself. This course will first examine dozens of real-life examples of cheating in Major League baseball from an ethical standpoint; why is the same act considered cheating by some and smart, aggressive play by others? Second, the course will analyze forms of cheating in baseball over time as a lens to view changing social mores throughout American history. Some baseball knowledge helpful but not necessary. Class meets May 5-16. Drop/Add Deadline is May 5. 1; Does not fulfill a distribution requirement; offered Spring 2008 -- W. Stern
  • AMST 227: Beyond the Border: Latinos Across America

    The metaphor of the U.S.-Mexico border often determines our understanding of Latinos' place in the United States. This class studies Latinidad in other spaces: New York, the suburban Southwest, the rural Midwest, and the agricultural Southeast. We will use several disciplines--literary studies, history, cultural studies (music, film, and dance), and sociology--to investigate the following questions: How do immigrant Latinos change the communities they move into? How do these communities change Latinos? How are place and identity transformed? How do the mass media influence how Americans think about where and how Latinos belong in the U.S.? 6; Arts and Literature, Recognition and Affirmation of Difference Requirement; not offered 2007-2008
  • AMST 230: The American Sublime: Landscape, Character & National Destiny in Nineteenth Century America

    Focusing on the early nineteenth century struggle to create an American nation and a national culture, we will look at the ways Americans adopted and adapted European ideas, particularly the aesthetic idea of the Sublime, in their attempt to come to terms with the conquest of the new land and its native inhabitants and with the nature of their national enterprise. Writers Irving, Cooper, Emerson, Thoreau, Hawthorne, Melville, Whitman, and Dickinson and painters Cole, Bierstadt, Church, Kensett, and Lane will be included. Major themes will include attitudes towards landscape and settlement, a distinctively American character, the nature and utility of art, and ideas of American empire. 6; Arts and Literature; not offered 2007-2008
  • AMST 238: Native American Literature

    Study and discussion of Native American literature from its graphic and oral roots to contemporary memoir, fiction, and poetry. Authors read will include Black Elk/John Neihardt, Charles Eastman, James Welch, N. Scott Momaday, Louise Erdrich, Joy Harjo, Susan Power, LeAnne Howe, Leslie Marmon Silko, David Treuer, and Sherman Alexie. Topics to be discussed will include the importance of place, nature, and spiritual life; diverse representations of historical events; complexities of individual and tribal identity; and differences between fictive literature and ethnography. The course will also critique the depiction of Native Americans by Euro-Americans in popular media. English Group IV. 6; Arts and Literature; offered Winter 2008 -- R. Tisdale
  • AMST 240: The Midwest and the American Imagination

    The history of American culture has always been shaped by a dialectic between the local and the universal, the regional and the national. The particular geography and history of the Midwest (the prairie, the plains, the old Northwest, Native Americans and white adventurers, settlers and immigrants) have shaped its livelihoods, its identities, its meanings. Focusing on the late nineteenth and early twentieth centuries, this course will explore literature, art history, and the social and cultural history of the Midwest. 6; Arts and Literature; not offered 2007-2008
  • AMST 250: Getting to Know Buffalo Bill Cody

    An iconic figure of the American West, William F. (Buffalo Bill) Cody was probably the most famous American in the world at the end of the nineteenth century. He is less well-known today. Using my new book on Buffalo Bill as a point of entry, I will conduct a kind of tour of Buffalo Bill's life and the things written about it. Class readings will range from nineteenth century dime novels to twenty-first century historiography, with detours through Hollywood and Broadway. 6; Humanities; offered Winter 2008 -- R. Bonner
  • AMST 267: Utopia, Dystopia, and Myopia: The Suburbs in American Fiction

    This course peers through the picture window of suburban life in the United States. Our primary text will be film. To what extent do fictional accounts reflect the scholarly concerns and analytical conclusions of Historians and Social Scientists? What themes are common in film and/or literature but get little attention from scholars? Students will be obligated to view films on their own if designated show times are inconvenient. Some films may be R-rated. Prerequisite: American Studies 115 or sophomore standing. 6; Social Sciences; not offered 2007-2008
  • AMST 310: Driving America? The Impact of the Automobile on U.S. Society

    Students will investigate the impact of the automobile on American society. We will use a multidisciplinary approach that will include the impact of the auto on political economy, the built landscape, our environment, music, film, literature and social capital. Students will be responsible for an interdisciplinary research paper. Seminar format. Prerequisite: American Studies 115. 6; Does not fulfill a distribution requirement; not offered 2007-2008
  • AMST 345: Theory and Practice of American Studies

    Introduction to some of the animating debates within American Studies from the 1930s to the present. We will study select themes, theories, and methodologies in the writings of a number of scholars in the field and try to understand 1) the often highly contested nature of debates about how best to study American culture; and 2) how various theories and forms of analysis in American Studies have evolved and transformed themselves over the last seventy years. The course is not designed to be a fine-grained institutional history of American Studies, but a vigorous exploration of some of the central questions of interpretation in the field. Normally taken by majors in winter of their junior year. Prerequisite: American Studies 115. 6; Does not fulfill a distribution requirement; offered Winter 2008 -- D. Appleman
  • AMST 396: Junior Research Seminar in American Studies

    An interdisciplinary course taught by a single member of the American Studies faculty, designed to introduce students to theories and methods in American Studies as they relate to a particular topic of inquiry. The course will encourage students to explore the various, sometimes conflicting ways in which a cultural or political phenomenon has been interpreted by a number of different disciplines. The course will include both primary and secondary texts, and will involve significant research work by students. Normally taken by majors in spring of the junior year. In 2007-2008 the topic of this seminar will be: Visions of California not offered 2007-2008
  • AMST 396: Visions of California

    An intensive interdisciplinary exploration of the ways in which California has been imagined in literature, art, film and popular culture from pre-contact to the present. We will try to understand these works within the detailed, over-lapping contexts of history, geography, and culture. There will be a weekly film showing outside of class. Prerequisite: American Studies 345 or permission of the instructor. English Group IV. 6; Does not fulfill a distribution requirement; offered Spring 2008 -- M. Kowalewski
  • AMST 400: Colloquium and Integrative Exercise

    The colloquium will meet as a research seminar, providing a structured environment for seniors working on approved essays or projects in American Studies. It will build upon the research experience of the junior seminar, and prepare students for the independent production of theses or performances to satisfy the college "comps" requirement. Students will be evaluated for this course upon completion of the senior integrative exercise. They will be required to give a public presentation on their research during the spring term. 6; S/NC; Does not fulfill a distribution requirement; offered Winter 2008 -- N. Cho
  • AMST 400: Integrative Exercise - Directed Reading

    Students read selected works and view films in the field of American Studies and in a narrow topic area designated by the program. For integrative exercise examination students only. 6; S/NC; Does not fulfill a distribution requirement; offered Winter 2008 -- Staff