Skip Navigation

Text Only/ Printer-Friendly

Carleton College

  • Home
  • Academics
  • Campus Life
  • Prospective Students
  • Alumni
  • Faculty & Staff
  • Students
  • Families

EDUC 232: Reading, Writing and Teaching for Social Change

This course

Literature can motivate us to change. It can widen our world view. This course will involve reading fiction, poetry and memoir that present stories and images in such a compelling way that we see the world differently after having read them. Often it is empathy that is the basis for effective action. This empathy can come from a well- written short story as well as an essay or poem. It need not be didactic, Zora Neale Hurston, Sherman Alexi, Anne Fadiman and a collection of poets will provide models of literature that create such empathy they motivate students to act. We will be doing creative writing on themes from literature as well as planning effective ways to use such literature in the classroom. We will reflect on our own high school experiences and read about some ways of presenting literature to inspire meaningful and open discussions.

Students who have not done a lot of writing, as well as those who write regularly, are invited to take this course. Students who do not intend to go into education but who want to explore the connection between fine literature and social justice are also encouraged to sign up.

Objectives/goals

The main purpose of this course is to encourage students to see the connection between reading a piece of literature and writing effectively about a topic that arises from that literature. It is also a course where we will discuss how to teach such a connection, making student voices the center of the curriculum. I believe students can find their own lives reflected in poetry and prose. At the same time they can also see through a window into other cultures and ethnic groups dissimilar to their own. In response to these mirror and window experiences, a class can become an exciting, involved and safe place. The goal of this course is to provide such a community within the class itself and to talk about how to create such community in other classes composed of a variety of age groups, ethnicities and cultures. By the end of the course students will have read novels, short stories, poems and essays that reflect on the authors� varied life experiences. Participants in the class will thus be able to understand how reading such literature and writing from its themes can create sensitivity to issues of social justice.

Structure

Class sessions will vary from large group to small group discussion, speakers, videos and final projects. We will work in writing notebooks each day at the beginning of class. Each of the three days of the week will be devoted to one of the areas of emphasis in the course: reading, writing, and teaching. I do require attendance and ask that students participate in the discussion, writing and reading of the literature.

Texts

Their Eyes Were Watching God, Zora Neale Hurston

The Toughest Indian In The West, Sherman Alexi

Spirit Catches You You Fall Down, Anne Fadiman

Reading Writing and Rising Up, Linda Christenson

An Invitation to Poetry, edited by Robert Pinsky, and Maggie Dietz

Teachers and Writers Magazine, Vol. 35, #4

Requirements

1.Class attendance and active participation

2.Completion of assigned reading

3. Occasional in- class responses to literature

4.Four short papers reflecting on novels, short stories, memoir, and poetry

5.Lesson Plan for two week unit

6.Final Writing Project

7.Final Exam

Grading

Topics and Readings

Week I

March 29

Questionnaire

Introductions and discussion

Poetry : The Favorite Poem Project

March 31

Poems from Invitation to Poetry

Teachers and Writers, pp.3-17

Week II

April 5

Selected Poems: an Invitation to Poetry

Reading Writing and Rising Up: pp.18-23

April 7

Poetry discussion:

Selected poems from Invitation to Poetry

Teachers and Writers: pp. 17-31

Reading Writing Rising Up Chapter: pp. 2-17, 23-26, 52-55, 66-67

Reflection Paper: Writing Poetry due

Week III

April 12

Their Eyes Were Watching God: first 1/2 (p. 104)

Discussion

April 14

Visit from Joe White

Reading Writing. Rising Up, pp. 27-37, 48-52, 105-115,

Poems by Langston Hughes: "Juice joint-Northern City", "Lenox Avenue at Midnight," "Good Morning", "Theme for English B"

Week IV

April 19

Their Eyes Were Watching God, 2nd 1/2 (104 to end)

Discussion

April 21

Writing in class

Reading, Writing, Rising Up, pp. 100-104, 115-120

Reflection Paper: Eyes Were Watching God due

Week V

April 26

Spirit Catches You You Fall Down, 1st 3rd, p. 105

Discussion

April 28th

Reading Writing, Rising Up, pp. 144-158

Selected Poems; An Invitation to Poetry

Week VI

May 3rd:

Spirit Catches You You Fall Down, 2nd 3rd, pp.106-209

Discussion

May 5th

White Privilege Articles

Article Arranged Marriages, Rearranged Ideas

Speaker, Mai Neng Moua (tentative)

Week VII

May 10

Spirit Catches You You Fall Down, last 3rd 209-288

Discussion

May 12

Reading, Writing, Rising Up pp. 58-65, 68-80, 88-98, 100-104

Reflection Paper on Spirit Catches You due

Week VIII

May 17

Toughest Indian In The World, pp 1-120

Discussion

May 19

Selected Poetry: Combining Genres: Choose two to bring to class

Reading Writing and Rising Up: pp. 138-141

Speaker: Paul Gorski (tentative)

Week IX

May 24

The Toughest Indian in the West, pp. 121-238

Discussion

May 26

Reflection Paper Due: Toughest Indian In the West

Lesson Plan: Two Week Unit Due

Week X

May 31

Final Project Due

 

Assignment Due Dates (Descriptions of assignments will be given in more detail as class goes along)

April 7: Reflection Paper, Poetry

April 21: Reflection Paper: Eyes Were Watching God

May 12: Reflection Paper: Spirit Catches You You Fall Down

May 26: Reflection Paper: The Toughest Indian In the World

Two Week Lesson Plan Due

May 31: Final Writing Project Due

FINAL EXAM