Faculty and Staff
The Department of Music is pleased to announce Spring Term faculty for the 2014-15 academic year.
ALBIN ZAK III, Benedict Distinguished Visiting Professor of Music (Spring) is a composer, songwriter, record producer, and musicologist. He holds degrees in composition and performance from the New England Conservatory and in musicology from the City University of New York. His research specialties are postwar popular music and the history of sound recording and record production. His articles and reviews appear in the Journal of the American Musicological Society, Journal of the Society for American Music, Current Musicology, Notes, and several volumes of collected essays. He is the author of The Poetics of Rock: Cutting Tracks, Making Records and I Don’t Sound Like Nobody: Remaking Music in 1950s America; and editor of The Velvet Underground Companion: Four Decades of Commentary. His recordings include In the Hurricane, Across the Brazos, By the Side of the Road, An Average Day, Waywardness and Inspiration, and Villa Maria Road. He is currently Professor of Music at the University at Albany (SUNY).
- Phone: 507 222 4347
- Fax: 507 222 5561
Enid & Henry Woodward College Organist
Professor of Music
LAWRENCE ARCHBOLD (Music History, Criticism, Organ) received the A.B., M.A., and Ph.D. degrees from the University of California (Berkeley). He has published a book and several articles and essays on both German Baroque and French Romantic organ music, given lectures at national meetings of the American Musicological Society and the American Guild of Organists, and performed over 100 organ recitals.
DAN BLIM, Visiting Assistant Professor of Music (Fall) is a native midwesterner, and grew up outside Kansas City. He earned his B.A. in art history and music from Swarthmore College, then earned his Ph.D. in musicology at the University of Michigan in Ann Arbor, where he also received a graduate certificate in Screen Arts and Cultures. His dissertation, "Patchwork Nation: Collage, Music, and American Identity" was funded by the Rackham School of Graduate Studies and the Andrew W. Mellon Foundation. He has published articles on Bernard Herrmann's score to Alfred Hitchcock's Vertigo and on John Adams's 9/11 commission On the Transmigration of Souls, and is currently developing a book project on country music in 1970s cinema. Dan enjoys cooking, contra dancing, and board games, and is an aspiring champion of New York's monthly pun competition Punderdome.
LAWRENCE BURNETT (Choral Music, Choral Conducting, African-American Music) received the B.M. degree in Vocal Music Education from Texas A & I University, the M.M. degree in Choral Conducting, Vocal Performance, and Vocal Pedagogy from Eastern New Mexico University, and the D.M.A. in Choral Conducting from the University of Texas. His professional background includes solo/stage work with numerous orchestras, choruses, and festivals throughout the country. In 1992 he was awarded the Governor's Award for African-Americans of Distinction in New York State. Dr. Burnett is an active member of the Music Educators National Conference, and the American Choral Directors Association for which he serves as National Chair of the Repertoire Standards Committee for Ethnic Music and Multicultural Perspectives. See more information about Lawrence Burnett.
ANDREW FLORY (American Music, Music History) received the B.A. from the City College of New York and the M.A. and Ph.D. from the University of North Carolina at Chapel Hill. Andrew teaches courses in American music, focusing on rock, rhythm and blues, and jazz. Andrew was a member of the Royster Society and was awarded the John Motley Morehead Fellowship to complete his dissertation, which was awarded the Glen Haydon Award for Outstanding Dissertation in Musicology from the UNC Music Department. Andrew has read papers at the national meetings of the American Musicological Society, the Society for Music Theory, the Society for Ethnomusicology, and the Society for American Music. He has also been invited to speak nationally and internationally at institutions such as the University of Surrey, Princeton University, and the University of Michigan. Andrew has written articles, encyclopedia entries, and reviews on the music of Marvin Gaye, the Beatles, African-American pop singers and balladeers, and Bang On a Can. He has written extensively about American rhythm and blues, and is an expert on the music of Motown. His book, I Hear a Symphony: Listening to the Music of Motown, is forthcoming from The University of Michigan Press. Working directly with Universal Records, Andrew has served as consultant for several recent Motown reissues. He is also co-author of the history of rock textbook What’s that Sound (W.W. Norton).
ALEXANDER FREEMAN (Composition) received the B.M. in composition from the Eastman School of Music, the M.M. from Boston University, and the D.M.A from The Juilliard School. His composition teachers have included Bruce Reinoso, Robert Ward, Samuel Adler, Warren Benson, David Liptak, Joseph Schwantner, Lukas Foss, Richard Cornell, Charles Fussell, Christopher Rouse, Eero Hämeenniemi, Magnus Lindberg, and Jouni Kaipainen. His music spans a wide range of styles and media and has been performed and recorded at home and abroad. Freeman has won awards from ASCAP, The American Academy of Arts and Letters, and The Fulbright Foundation, among others. Recent commissions have been from The American Embassy, The Sibelius Academy, Hämäläis-Osakunnan Laulajat, and the West Point Band. Areas of interest and research include Sibelius, Finnish music, Americanism, Walt Whitman, and popular music. For more information, please visit his website at www.alexfreemanmusic.com.
JUSTIN LONDON (Music Theory, Music Psychology, Aesthetics, American Popular Music History) received the B.M. in Classical Guitar and the M.M. in Music Theory from the Cincinnati College-Conservatory of Music, and the Ph.D. in Music History and Theory from the University of Pennsylvania. His research interests include the theory and psychology of musical rhythm, language-music relationships, and musical aesthetics. He is currently pursuing research on the microtimings of African rhythm performance with Rainer Polak (Hochschule für Musik und Tanz, Köln), motion capture and cross-modal perception of musical tempo with Petri Toiviainen (The University of Jyväskylä, Finland), and on the use and meaning of pauses in speech and music with Ian Cross and Sarah Hawkins (The University of Cambridge). He served as President of the Society for Music Theory (2007-2009) and was a Fulbright Professor at The University of Jyväskylä, Finland (2014).
NICOLA MELVILLE (Piano) received the B.M. from the Victoria University of Wellington (New Zealand), and the M.M., D.M.A., and the Performers Certificate from the Eastman School of Music. Melville has commissioned and premiered many works by composers in the United States and her native New Zealand. She has recorded the complete piano rags of William Albright for the Equilibrium label; her most recent CD, released on Innova Recordings, features thirteen new commissions by award-winning composers from around the US, and is now available online at http://innova.mu/artist1.asp?skuID=334. As well as being an advocate for new music, her ongoing interests include interdisciplinary performances that combine music with other Arts in live performance.
RONALD RODMAN (Director of Symphony Band, Theory, Low Brass) earned his Ph.D. in Music Theory from Indiana University in 1992. His research interests include analysis of music in the electronic media, post-tonal theory in the 20th century, Schenkerian analysis, musical signification, music theory pedagogy, and wind band music history. He serves as a consultant for the AP Music Theory program through the College Board. He has published articles for the Journal of Music Theory, College Music Symposium, and Indiana Theory Review, has contributed chapters to several books on music and film, and is currently writing the article on television music in the New Grove Dictionary of American Music. His recent work is a book, Tuning In: American Narrative Television Music, which is published by Oxford University Press in 2010.
Director of American Music
Professor of Music
MELINDA RUSSELL (Ethnomusicology, Director of Karimba and Mbira Ensembles) received the B.A. from Simon's Rock Early College, the M.A. in Ethnomusicology from the University of Minnesota, and the Ph.D. from the University of Illinois. Dr. Russell has a diverse background in ethnomusicology, focusing on a variety of musical traditions in North America, Africa, and the Caribbean. She has published articles on reggae and musical taste, on the Macarena craze of the 1990s, on choral music in an Illinois city, on the folksong repertoire of Americans, on the Star-Spangled Banner in contemporary America, and on including applied music components in lecture courses. She coedited the books Community of Music and In the Course of Performance: Studies in the World of Musical Improvisation. Her current research concerns the folk music revival in Minneapolis during the late 1950s/early 1960s. Dr. Russell was formerly the Book Review Editor for the journal Ethnomusicology, and served as President of the Midwest Chapter of the Society for Ethnomusicology.
JEFFREY TREVIÑO, Visiting Assistant Professor of Music (Year) received the B.A. in Music, Science, and Technology from Stanford University's CCRMA (Center for Computer Research in Music and Acoustics) and the M.A. and Ph.D. degrees in Music Composition from the University of California at San Diego. His electronic and acoustic works have been premiered internationally by acclaimed soloists and ensembles at the Oberlin Conservatory Percussion Institute, the International Computer Music Conference, New York City’s Symphony Space, Stuttgart's Akademie Schloss Solitude Summer Residencies, the Seoul International Computer Music Festival, Mexico’s Visiones Sonoras Festival, SIGGRAPH, the International Conference of the Society for Improvised Music, the Freiburg Hochschule für Musik, June in Buffalo, Portugal’s Vila Real Conservatory, New York City’s Miguel Abreu Gallery, the Carlsbad Music Festival, and Berlin’s Hanns Eisler Akademie. An accomplished pianist and tubist, Treviño has performed in world class venues such as Carnegie Hall, Walt Disney Concert Hall, the Sheldonian Theatre, and the Sydney Opera House. His reviews and research into philosophies of musical expression, the design of electronic instruments, and automated data visualization for historic performance practice have been published in Computer Music Journal (MIT Press) and the Journal of Computing and Cultural Heritage (Association of Computing Machinery) and presented at the International Conference on New Interfaces for Musical Expression. His work reinvents performing, composing, and listening through the novel application of technology.
HECTOR VALDIVIA (Orchestration, Applied Strings, Chamber Music) received the B.M.A. from the University of Wisconsin and the M.M.A., M.M., and D.M.A. from the Yale School of Music. His research interests include the music of Eugene Ysaye, Luisa Adolpha Le Beau, and Amy Beach. Dr. Valdivia recently recorded Beach's "Variations on Balkan Themes" with the Moravian Philharmonic in Olomouc, Czech Republic. As a violinist, he performs with the Veblen Piano Trio and recently recorded several new works by Phillip Rhodes, Carleton's Composer-in-Residence.
BENJAMIN ALLEN (Voice) received the B.M.Ed. from Wartburg College. He has studied with C. Robert Larson, Donna Pegors, Lawrence Weller, and, in New York, with Bernard Taylor. He has performed as a soloist with numerous regional and national organizations including the Saint Paul Chamber Orchestra, the Minnesota Orchestra, the Detroit Symphony Orchestra, the Duluth-Superior Symphony Orchestra, and the Minnesota Opera. He has taught at the University of Minnesota-Duluth, the Minnesota Center for Arts Education, and is currently on the voice faculty of the International Music Camp and at Bethel University and Macalester College. He serves as choral composer and arranger as well as choir director at Peace Lutheran Church in Robbinsdale, MN. His current academic interest is in the study of the "cultural voice" to develop teaching techniques to serve the needs of international students who don't have experience with Western Vocal concepts. Ben is involved in the East African community in Minneapolis where he sings in the Minnesota Swahili Choir and is Board Chair for a non-profit agency, Compassionate Solutions for African Development (COSAD) which undertakes enterprise development using the African choir as the target community within which to develop and sustain enterprise projects.
GWEN ANDERSON (French Horn) has been a member of the Summit Hill Brass Quintet since 1976, which has released numerous CDs and performs regularly in the Twin Cities and outstate area. Anderson studied music at the University of Minnesota and the Eastman School of Music, and horn with Bruce Rardin, Verne Reynolds, and Kendall Betts. Ms. Anderson's career has taken its share of twists, however: her B.A. is in Anthropology from the University of Minnesota, and she is currently employed as a software engineer.
Lecturer in Jazz Piano
LAURA CAVIANI (Jazz Piano) received the B.M. in Composition from Lawrence University and the M.M. in Improvisation from the University of Michigan. She also studied with renowned composer JoAnne Brackeen and at the Akiyoshidai International Art Village in Japan. Ms. Caviani has taught at St. John's University, the University of Wisconsin-Eau Claire, the University of St. Thomas, and many middle schools in Minneapolis through the "Harman How to Listen Program," an outreach program co-founded by Wynton Marsalis. Ms Caviani is a veteran of two decades of performing, recording and composing, including appearances with Toots Thielemans, Bob Mintzer, and Dave Liebman, and touring and recording with star vocalist Karrin Allyson. Now based in Minneapolis, she has five acclaimed recordings to her credit, and a long list of supporting roles with local musicians. Recent projects include her tributes to Horace Silver, Thelonious Monk, Mary Lou Williams and Alec Wilder. She is regularly featured with Pete Whitman’s Xtet, vocalists Lucia Newell and Prudence Johnson, and guitarist Joan Griffith, with whom she released Sambanova in 2008. She also appears on the Seattle based Origin Label with vibes player Ben Thomas. As composer, she has created numerous works for jazz ensembles and orchestras. in 2010, Laura was selected to be one of five finalists at the Jazz Piano Competition in Jacksonville, Florida. Her most recent release, Going There, was described by music critic Bob Protzman as “piano trio jazz of the highest order.” Laura Caviani's personal website can be found at: http://www.lauracaviani.com.
LYNN DEICHERT (Trumpet) received the B.M. from the Oberlin Conservatory of Music and the M.M. from Boston University. He has been a member of the American Wind Symphony and has also attended the Tanglewood Music Festival Fellowship Program. His teachers include Roger Voisin, Charles Schlueter, Gene Young, and Clement Volpe. Lynn is a performing musician/contractor in the Twin Cities. He studied piano with his father Bob Deichert. He also tap dances and juggles.
ELIZABETH ERICKSEN (Violin, Viola) teaches violin and viola at Carleton College and MacPhail Center for Music and coaches string quartets in the Augsburg College Suzuki Talent Education Program. Elizabeth holds BS and MM degrees from the University of Illinois, Champaign-Urbana where she studied with Paul Rolland. She has also studied with Mary West and coached string quartets with Joseph Gingold and Abraham Skernick. For the past three years, she has been a member of Ensemble L’Autumno, a small ensemble which performs music for strings and piano in the Fall of the year. A founding member of the Sartory String Quartet, she has also been a regular orchestral member of VocalEssence (formerly Plymouth Music Series), where she participated in a wide variety of programs and several award-winning recordings. She plays viola on several CDs of chamber music by Phillip Rhodes (Emeritus Composer in Residence at Carleton.) In the summers, she serves as a coach for GTCYS (Greater Twin Cities Youth Symphonies) summer Orchestra camp and the Sartory String Quartet Institute (sponsored by MacPhail), an intensive two week experience in the string quartet literature for talented junior high and high school string players.
She was recently voted-in as President-Elect of MNSOTA, the Minnesota chapter of the American String Teacher’s Association. Previously, she served as secretary for the same organization and also coordinated the MNSOTA State Solo Competition for young string players. She has contributed a number of articles to String Notes, MNSOTA’s journal. Recently, she has been asked to give several workshops on the string pedagogy films of Paul Rolland (The Teaching of Action In String Playing).
LOREN FISHMAN (Adjunct Instructor in Piano) received his M.M. and D.M.A. degrees in piano performance from the University of Minnesota, where he was the recipient of a Berneking Fellowship, and he holds a B.M from Northern Kentucky University, where received the prestigious Dean’s Scholarship and the Commonwealth Scholarship for Academic Excellence. His principal teachers have been Lydia Artymiw, Sergei Polusmiak, and Nina Polonsky. He has appeared as a soloist with the Minnesota Sinfonia, the Schubert Club, and on Classical Minnesota Public Radio, and he has won top awards in various competitions, including the Graves Regional Young Artist Competition, the Tifereth Israel Young Artist Competition, the NFAA National Arts Recognition Talent Search, the MTNA Kentucky State Piano Competition, and the Columbus Symphony Concerto Competition. He is an active chamber musician and has been a featured participant in numerous summer workshops and festivals, including the Niagara Chamber Music Festival, the Summit Music Festival, the Las Vegas Music Festival, and "Musicos de Camara" in Xalapa, Mexico. Before coming to Carleton, he taught piano classes at St. Cloud State University and the University of Minnesota. Loren is also a prolific cartoonist, and his musical humor panel "Humoresque" is currently published by magazines such as Clavier Companion and Piano Professional. His personal website can be found at www.lorenfishman.com.
JANEAN HALL (Harpsichord, Organ, Beginning Piano) received the B.S. and B.A. in Music and Education from Concordia College, Seward Nebraska. Her areas of expertise are organ performance and harpsichord performance. Her principal teachers were Dr. Charles Ore, and Dr. Paul Manz. Janean has 35 years of experience as head organist, has played for over 300 weddings as well as funerals, and serves as a professional organist-at-large. She has appeared as harpsichordist for various Bach festivals, orchestra performances, and taught harpsichord literature and given harpsichord workshops over the past thirteen years at Carleton. She currently plays in a Faculty Baroque Trio. Janean teaches the Minnesota Music Listening Class for Waseca High School, and serves as a judge for the official test given to over 73 Minnesota high schools each January.
ZACC HARRIS received a B.A. in Music from Southern Illinois University with a focus on jazz performance, theory, and composition. An active performer in the twin cities jazz scene playing more than 150 shows a year, Harris notably co-leads the group Atlantis Quartet, named Best Jazz Artist by the City Pages (2011) and Star Tribune (2012). He leads the Zacc Harris Group, Monk In Motian, and Vital Organ, and is a regular member of numerous other ensembles. His long list of performing credits includes: Ben Wendel, Babatunde Lea, Eric Gravatt, Bruce Henry, Debbie Duncan, Sheila Raye Charles, Patty Peterson, and Nancy Harms. He has been featured on more than a dozen jazz recordings including four nationally acclaimed albums with Atlantis Quartet and his debut release with Zacc Harris Group, The Garden, all available through iTunes and Shifting Paradigm Records. As a composer, Harris has had his music featured in documentaries, had dozens of works published, has received awards from ASCAP, and has been commissioned by the Zeitgeist ensemble. Harris has taught privately for more than a decade, has taught at Hamline University since 2011, and at Carleton College since 2014. For more information, visit www.zaccharris.com.
MARY BUDD HOROZANIECKI (Violin, Viola) is well known as a dynamic performer and dedicated teacher. She is also teaches at Macalester and Augsburg Colleges in Minnesota. Mary is frequently invited to present master classes, recitals and lectures throughout the United States and Canada. Some of her invited venues have included, The Ohio State University, The University of Nebraska, The University of Iowa, the Crane School of Music, SUNY, Potsdam, the University of Manitoba, the University of Central Florida, the String Academy at Indiana University and the "Violin Celebration" at Concordia College in Minnesota along with Jorja Fleezanis (Indiana University) and Karl Paulnack (The Boston Conservatory). She has presented at the national conference for the American String Teachers Association on four occasions. James Reel wrote about her work in an article for Strings magazine, 2006, entitled, “Vertical Climb”. The Minnesota Chapter of this organization awarded her the Master Teacher Award in 1993. Ms. Horozaniecki was educated at Indiana University where she studied with Josef Gingold. She won two fellowships to study at the Blossom Festival School and spent five summers at the Meadowmount School. Her mentors also include Margaret Pardee and Menahem Pressler. Ms. Horozaniecki is the violinist for the Chiarina Piano Quartet and the Lowry Hill Chamber Players. She is recorded on Centaur and Inscape labels. Further information can be found on her website: http://marybuddhorozaniecki.com.
MARTHA JAMSA (Flute) received the B.F.A. from the University of Minnesota and the M.M. in Flute Performance from Indiana University. During the past two decades she has been an active member of several major ensembles, including the South Dakota Symphony Orchestra and the Dakota Wind Quintet, as well as a substitue flutist/piccoloist for the Minnesota Orchestra. She has taught flute at South Dakota State University, the University of Sioux Falls, Macalester College. She has also served on the Board of Directors for several organizations, including the South Dakota Symphony Orchestra and the Upper Midwest Flute Association.
JAY JOHNSON (Percussion, African Drum) received the B.F.A. and M.M. degrees in Percussion with an emphasis on Ethnomusicology from the University of Minnesota. He has performed dozens of world premieres at major festivals and concert halls throughout the United States and Europe. He can be heard locally in concert or on recordings with the St. Paul Chamber Orchestra, Minnesota Opera Company, Plymouth Music Series, Dale Warland Singers, and others.
GREG KEEL (Adjunct Instructor in Saxophone) studied with Ruben Haugen, Harry Miedema, Brian Grivna and William Grahn, and has been a participant at many masterclass workshops with Dr. Eugene Rousseau since 1975. He attended the University of Wisconsin at Eau Claire, Madison, and holds the Bachelor of Arts degree from Concordia College in St. Paul. Greg is also on the faculty at MacPhail Center for Music, Hamline University, Century College, the Shell Lake Arts Center, and is an artist/clinican for Selmer Saxophones.
Greg has performed with the Minnesota Orchestra, Aretha Franklin, Mel Torme, The Temptations, Andy Williams, The O’Jays, Lou Rawls, Frankie Valli, Johnny Mathis, Natalie Cole, The 5th Dimension and Bob Hope. His students have received numerous recognitions from MMEA and DownBeat magazine, with outstanding soloist winners in their annual Student Music Awards.
PATRICIA KENT (Voice) received the D.M.A. in Vocal Performance from the University of Minnesota and has performed in the Midwest and on the East Coast in repertoire from medieval mystery plays with alumni of the New York Pro Musica, to concert work such as Verdi's Requiem with the Wooster (OH) Symphony, Beethoven's Ninth Symphony and Mahler's Second Symphony with the Duluth Superior Symphony, and Bach's Christmas Oratorio with the St. Paul Chamber Orchestra under Christopher Hogwood. Kent has also performed as soprano soloist with the SPCO under Joel Revzen, Hugh Wolff, and John Harbison, and with the Minnesota Orchestra under Joseph Silverstein. She has sung with many regional organizations, including the Lyra Concert, the Rochester Symphony, the Macalester Festival Chorale, the Oratorio Society of Minnesota, and Ex Machina. In 1999, Kent made her European debut in the London performance of Mendelssohn's Elijah under conductor Benjamin Pope. Patricia has recorded a compact disc of the songs of Fanny and Felix Mendelssohn, with pianist Robert Koopmann, OSB entitled "All in the Family." She has also recorded a CD of French chansons with pianist Roderick Kettlewell.
MERILEE KLEMP (Oboe, English Horn) received the B.A. in Music Education from Augsburg College, the M.A. in Musicology from the University of Minnesota, and the D.M.A. in Oboe Performance and Literature from the Eastman School of Music. Her notable accomplishments include an impressive list of featured recordings including Falls Flyer: Music for Oboe and Guitar (Schubert Club), Carols and Lullabies (RCA) and The Music of William Grant Still (Collins Classics) with Plymouth Music Series of Minnesota, The Three Hermits (D'Note) and A Chamber Fantasy (Innova 539) by Stephen Paulus, Singing Wilderness: Music of Cary John Franklin (Singing Wilderness), Fritz Bergmann's Minnesota Landscapes (Innova), as well as CD's by Janet Jackson, Elton John, Mariah Carey, and on the series of Lifescapes recordings distributed throughout the country. She has performed regularly with the Minnesota Opera, the Vocalessence, and is a frequent recitalist and soloist in the Twin Cities. Her principal teacher was Richard Killmer and she received a Minnesota State Arts Board Fellowship for further study with John Mack.
MARK KREITZER (American Folk Instruments) has an MA in German Literature and another in French Literature from the University of Wisconsin-Madison. He taught German at Bethel University, the University of St. Thomas, and the University of Minnesota. His musical career began with piano studies as a boy, switching to guitar when he heard the Beatles. Since then he also has become proficient with the banjo, mandolin, mandola, mandocello, fiddle, Dobro and bass. In addition to his award winning instrumental skills, he is an award winning songwriter, member of the Minnesota Rock and Country Hall of Fame, and is currently teaching songwriting at Cretin-Derham High School in St. Paul. In 2012, he wrote the music for an adaptation of Mark Twain's "Life On The Mississippi." Mark performs solo and with his own Mark Kreitzer Band, as well as with the gypsy jazz bands Mill City Hot Club, and Clearwater Hot Club, and the traditional New Orleans influenced band Patty and the Buttons. He can be seen sitting in with many other local bands, including Becky Schlegel, Rugged Road, the Southside Aces and French 75. His songs have been recorded by Joe Carr and Alan Munde, Becky Schlegel, the Middle Spunk Creek Boys, on his solo recording "Pages," and the self-titled "Mark Kreitzer Band" CD on the Okey-Dokey record label. Furthermore, Mark owns his own publishing company, Harvest Hop Musik. Mark Kreitzer's personal website can be found at: http://markkreitzer.com
Senior Lecturer in Recorder
MARK KRUSEMEYER (Recorder) received the Ph.D. from the University of Utrecht (Netherlands), and has studied with Sue Carduelis (formerly Susan Prior) and Steve Silverstein, and in workshop or master class settings with Paul Leenhouts, Michael Lynn, and Marion Verbruggen. Dr. Krusemeyer has performed locally, and in Calgary as part of the Trio d'Accord and with the Calgary Bach Festival Society. He has made numerous transcriptions for recorder ensembles, especially the music of Bach.
CONNIE MARTIN (Bass) received the B.A. from Whitworth College and the M.M. from the University of Illinois. She is a core member of the Minnesota Opera Orchestra and performs regularly with the Minneapolis Pops Orchestra and substitutes with the Minnesota Orchestra. Her primary teachers include Peter Lloyd and Jim Clute of the Minnesota Orchestra.
MARY MARTZ (Voice) received the B.S. in Music Education and Performance with a minor in Speech Therapy from Moorhead State University. She has an extensive performance background in opera theater with the Minnesota Opera, Minnesota Opera Touring Company, other regional companies, oratorio, recitals, and many years of classroom and private voice instruction. She has also taught in the New York State Summer School of the Arts, School of Choral Studies, the St. Olaf College summer music camp, and is an Adjunct Instructor of Voice at St. Olaf College.
MATTHEW McCRIGHT (Piano) American pianist Matthew McCright has performed extensively throughout the United States, Europe, Asia and the South Pacific as piano soloist and chamber musician. He has thrilled audiences and critics alike with imaginative programming that places the greatest piano repertoire alongside the music of today’s most innovative risk-takers. McCright currently resides in Minneapolis, Minnesota and is a member of the piano faculty of Carleton College and teaches privately in the Twin Cities. He maintains an active performing schedule as one of the most sought after pianists of his generation in contemporary music. An accomplished recording artist, McCright has released 4 solo recordings: 3 albums on innova Records (Second Childhood, A Waltz through Vapor, and Blender) and a 2011 release of the piano works of Gene Gutchë on Centaur Records. An upcoming release on Albany Records of the piano music of Olivier Messiaen is planned for 2015. The recipient of numerous awards, grants, and prizes, he has performed at festivals such as Bang on a Can at MassMOCA, Printing House Festival of New Music (Dublin), Late Music Festival (UK), Hampden-Sydney Chamber Music Festival, Kodály Institute, Perilous Night, Fringe, Bridge, Spark Festival of Electronic Music, Seward Arts, Music 2000, CCM Village Opening, and Minnesota Composers Alliance. McCright completed his Doctor of Musical Arts Degree in Piano Performance from the University of Minnesota, Master of Music Degree in Piano from the College-Conservatory of Music at the University of Cincinnati and earned his Bachelor of Music Degree in Piano Performance, Magna Cum Laude, from Westminster College. His past teachers include Lydia Artymiw, Lisa Moore, Nancy Zipay DeSalvo and Richard Morris. For more information please visit: www.matthewmccright.org.
ELINOR NIEMISTO (Harp) received the B.M. and M.M. in Harp from the University of Michigan and shortly thereafter went to Nova Scotia where she played in the Atlantic Symphony in Halifax. She began teaching at Carleton in 1981 and currently holds endowed chairs in both the Rochester and La Crosse Symphony Orchestras. Ms. Niemisto also teaches harp at St. Olaf and Luther Colleges and Suzuki Harp in Northfield and Owatonna. She performs regionally in choirs, churches, and community orchestras.
NINA OLSEN (Clarinet) received the B.M. in Performance from the University of Denver, the M.M. in Woodwinds, clarinet specialist, from the University of Michigan, and the D.M.A. in Clarinet Performance from the University of Minnesota. She is a member of the Minnesota Opera Orchestra, and has also performed with other area groups including the Minnesota Sinfonia, the Duluth-Superior Symphony, and Thursday Musical. She is on the faculty of the MacPhail Center for the Arts in Minneapolis, where she is also chair of the Winds, Brass, and Percussion Department.
ZACHERY PELLETIER (Adjunct Instructor in Cello) received the B.M. in music education with an orchestra emphasis from the University of Minnesota-Duluth and with additional post-graduate studies at the University of Wisconsin-Stevens Point. He has taught 14 years at all levels in the public school setting. Zack has played in the cello sections of the Duluth-Superior Symphony Orchestra, Lake Superior Chamber Orchestra, Chippewa Valley Symphony, Central Wisconsin Symphony, and Green Bay Symphony. His principal teachers have been Laurence Leviton, Betsy Highland-Husby, and Donald Tracy.
RICK PENNING (Voice) received the B.A. in Music from Luther College, the M.M. from the Cincinnati College-Conservatory of Music, and the D.M.A. from the University of Minnesota. He has a wide range of performing experience including operatic roles and concert appearances with leading American regional opera companies and orchestras. He can be heard on recordings with the Plymouth Music Series Ensemble Singers (now Vocal Essence) and the Cathedral Choir of St. Mark’s Episcopal Cathedral (Minneapolis). He has appeared on “A Prairie Home Companion” as well as Minnesota Public Radio, Dakota Public Television, and CBS’ television program “CBS Sunday Morning.” His voice students have won awards and have gone on to perform with professional opera companies and orchestras across the country and overseas. Besides a busy home voice studio, he is also on the faculty of Augsburg College.
ANN PESAVENTO (Bassoon) A native of Appleton, Wisconsin, Ann Pesavento has taught at Gustavus for 36 years and this year, joins the Carleton faculty as adjunct bassoon instructor. Her graduate degrees are from Butler University and the University of Northern Colorado. In the Twin Cities, Dr. Pesavento has played at the Guthrie Theatre, the Children's Theatre, the Walker Art Center and as an extra with the Saint Paul Chamber Orchestra. A strong advocate of chamber music, she was a founding member of the St. Paul wind ensemble, Harmonia Mundi, as well as several Gustavus faculty ensembles: the Baroque Quartet, the Woodwind Trio and Tre Kroner Kvintetten (the faculty woodwind quintet). Her several solo recitals have included collaborations with oboe, flute, clarinet, Classical guitar, and string chamber ensembles. Dr. Pesavento retired from full-time teaching in 2011 but continues to-date as that school's bassoon instructor and a woodwind chamber music coach. Past-president of the Minnesota Music Educators Association, Dr. Pesavento is active throughout the region as a private teacher, clinician, conductor and adjudicator.
THOMAS ROSENBERG (Cello) is nationally known as a dynamic teacher, chamber music coach, and performer. He is on the faculties of Carleton College, Macalester College and the McNally Smith College of Music and also maintains a busy pre-college private studio of cellists and chamber ensembles. A member of the Schubert Piano Trio and The Isles Ensemble, he also performs occasionally with other area ensembles including the Saint Paul Chamber Orchestra and Minnesota Orchestra. Since 1981, he has been Artistic Director of the Fischoff National Chamber Music Competition. He is recipient of the “Master Studio Teacher Award” from ASTA Minnesota, the McKnight Performing Artist Fellowship Award, Arts Educator of the Year from the Michiana Arts and Sciences Council, the 2007 Indiana Governor’s Arts Award, top chamber music prizes at the Munich (Germany), Portsmouth (England), and Chicago’s “Discovery” Competitions and is a three-time Naumburg Chamber Music Award finalist. Previously, he was a founding member of the highly acclaimed Chester String Quartet with whom for twenty years he toured internationally, made numerous recordings and was on the faculty of Indiana University South Bend from 1980-1998. He has performed and taught at many summer festivals including Aspen and Tanglewood and served as Associate Director and taught at “The Quartet Program.” He currently teaches summers at the Green Lake Chamber Music Festival and at the Midwest Young Artists Summer Chamber Music Camp. Tom is a graduate of Oberlin and the Eastman School of Music where he was teaching assistant to both Paul Katz and Laurence Lesser. Other teachers include Richard Kapuscinski, Alan Harris, Alta Mayer, and for chamber music, members of the Budapest, Juilliard, Tokyo, Guarneri, and Cleveland Quartets.
TRAVIS SCHILLING (Electric and Acoustic Bass) can be seen in a multitude of musical settings, including musical theater, jazz, rock and pop country, performing over 200 shows a year on both electric and double bass. Travis was one of the founding members of the Atlantis Quartet. Their first record, Again Too Soon, received strong positive reviews on both the local and national level.
As an educator, Travis has been teaching bass for over twelve years and has written his own method book, Bassic Training. Travis joined the McNally Smith College of Music faculty in 2007. Since then he has helped develop several programs, including a slap bass course and a master class series which have included such artists as Bryan Beller and Gary Willis.
DAVID WHETSTONE (Raga, Sitar) is a sitarist-disciple of the renowned Ustad Vilayat Khan, having begun his studies in 1971 with Brian Silver. In 1988 he received an American Institute of Indian Studies Senior Research Fellowship, and has collaborated and toured for over 20 years with poet Robert Bly and Rumi translator Coleman Barks, resulting in numerous recordings and films. In 1992 he co-founded and was Artistic Director of Minneapolis' Ragamala Music and Dance Theater, supplying the entire repertoire from 1992-1997. In 1999 he premiered excerpts of his new opera, White Nights, with the Rochester (MN) Orchestra and Chorus, soloist Dan Dressen, and conductor Jere Lantz.
MARCIA WIDMAN (Piano) received the B.M. in Piano from Morningside College and the M.M. in Piano from the University of Michigan, where she studied with Benning Dexter. She taught piano at Eastern Michigan University and St. Olaf College before coming to Carleton in 1975. She recently attended the Taubman Institute five times and coached with Taubman.
JOHN ELLINGER (Guitar, Music Technology, Computer Music) received the B.A. from Carleton and has done graduate work at the University of Minnesota. He founded MiBAC Music Software in 1987 and is the principal author of all of MiBAC's music education software products. He wrote the Rhythm Section Generator plug-in used in the Finale music notation software 2003-2007 and has presented numerous clinics at national music educator conferences introducing educators to the use of MIDI software in the curriculum. His current interests lie in the field of digital audio and live coding performance on laptop computers. He served as the coach of the Carleton Men's Golf Team from 1990-2001.
STEPHEN KELLY (Music History, Jazz History) received the B.S. from Spring Hill College, the M.A. from Rutgers University, and the Ph.D. from The Ohio State University. He has been a Fulbright Scholar and has published editions of the music of Niccolo da Perugia and co-authored a video tape on the Medieval Monastery. He has also done research focused on the area of jazz reception and the music of Wynton Marsalis. Most recently he has presented "Joan Baez at Spring Hill: A Study of Intersecting Histories." Dr. Kelly served on the Board of Directors as Treasurer of the College Music Society from 1991 until 1995. In 1997 he was the Associate Dean of the College and was the Dean for Budget and Planning from 1998 to 2004. He currently serves as Treasurer and Board Member of Laura Baker Services Association. He plays sax and clarinet in Occasional Jazz.
PHILLIP RHODES joined the Carleton faculty as Associate Professor and Composer-in-Residence in 1974. He was appointed the Andrew W. Mellon Professor of the Humanities in 1981. Born in western North Carolina in 1940, he received degrees from Duke University and the Yale University School of Music. He developed a research interest in traditional Appalachian music which provided not only the basis for several courses he taught at Carleton, but served as important source material for his compositions as well. Music with Appalachian roots is also the focus of his recently released CD, With A Mountain View, which has received international acclaim. Professor Rhodes has been the recipient of numerous commissions and awards including grants from the National Endowment for the Humanities, the Martha Baird Rockefeller Fund for Music, three grants from the National Endowment for the Arts, a Guggenheim Foundation Fellowship, a Bush Foundation Fellowship for Artists, the National Opera Association Prize (The Gentle Boy), two Fromm Foundation (Harvard) commissions, and two McKnight Foundation Fellowships. His compositions are published by C.F. Peters, Theodore Presser, EMI, Schott, J. Ballerbach, and Earthsongs Music. Recordings of his works appear on labels including Centaur Records, CRI, First Edition (Louisville), Innova, and New World Records. Major performances of his works include those by the Atlanta Symphony at Carnegie Hall, the Cleveland Orchestra at the Blossom Festival and the National Symphony at the Kennedy Center. A citation from the American Academy of Arts and Letters describes Rhodes' music as "radiating an evocative warmth of expression, while also exhibiting a highly disciplined approach to matters of form, continuity and textual setting." Phillip Rhodes' personal website can be found at: www.prhodescomposer.com.
THOMAS BARTSCH (Collaborative Pianist) pursues an active career as a free-lance pianist and coach/accompanist. Appearances include Schubert Club, Thursday Musical, Minnesota Fringe Festival, and many competition/audition venues. In addition, Tom is the Organist and Choir Director at Temple of Aaron Synagogue in St. Paul, and the Organist at St. Michael's Lutheran Church in Roseville.
SUSAN BEEBY (Music Collections Curator) received a B.A. in Music History and Russian Language from St. Olaf College, and a M.L.I.S. from Dominican University/College of St. Catherine. She has worked as music librarian for the radio station WCAL and for the Northfield Youth Choirs. Susan is also a licensed Music Together teacher, and teaches early childhood music classes at the Northfield Arts Guild and YMCA.
CAROLE ENGEL (Administrative Assistant) graduated from Yuma Union High School in Arizona and attended Arizona Western College before pursuing a career in business management. Before coming to Carleton in 1979, Carole was employed by Ford Motor Company, Prudential Life Insurance Company, and the Federal Bureau of Investigation. At Carleton she served as Secretary to the Associate Dean of the College and also Assistant to the Dean of the College before accepting her current position in the Department of Music in 1990.
Lecturer in Chinese Musical Instruments
Performance Activities Coordinator in Music
GAO HONG (Performance Activities Coordinator) began her career as a professional musician at age 12. She graduated with honors from the Central Conservatory of Music, China's premier music school, where she studied with pipa master Lin Shicheng. She has received numerous awards and honors, including First Prize in the Hebei Professional Young Music Performers Competition in China and an Asian Pacific Award, and fellowships from the Minnesota State Arts Board, Meet the Composers Inc. in New York and the Jerome Foundation. In 2005 Gao Hong became the first traditional musician to be awarded the prestigious Bush Artist Fellowship, and in 2008 she became the only musician in any genre to win three McKnight Artist Fellowships for Performing Musicians. As a composer, she has received commissions from the American Composers Forum, Walker Art Center, the Jerome Foundation, Zeitgeist, Ragamala Music and Dance Theater, Theater Mu, IFTPA, and Twin Cities Public Television. She has performed throughout Europe, Australia, Japan, Hong Kong, China, and the United States and has participated in such events as the Lincoln Center Festival, the San Francisco Jazz Festival, and the International Festival. She has performed countless United States and world premieres of pipa concerti with organizations such as the Saint Paul Chamber Orchestra, the Heidelberg Philharmonic, and the Women's Philharmonic (San Francisco). She also is a Guest Professor at the Central Conservatory of Music in Beijing. Gao Hong's personal website can be found at http://www.chinesepipa.com.
SZU-LING WU (Collaborative Pianist) received B.M. in piano performance and music education from the National Taipei University of Education in Taiwan, a Master of Music degree and an Artist Diploma degree in the Collaborative program at the Cleveland Institute of Music. She finished her Doctor of Musical Arts degree from the University of Minnesota in 2013. She is currently working for the Minnesota Opera Education program as a piano accompanist.