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Your search for courses for 17/SP and with code: AMSTTOPICAL1 found 7 courses.

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AMST 230.00 The American Sublime: Landscape, Character & National Destiny in Nineteenth Century America 6 credits

Elizabeth McKinsey

Focusing on the early nineteenth century struggle to create an American nation and a national culture, we will look at the ways Americans adopted and adapted European ideas, particularly the aesthetic idea of the Sublime, in their attempt to come to terms with the conquest of the new land and its native inhabitants and with the nature of their national enterprise. Writers Irving, Cooper, Emerson, Thoreau, Hawthorne, Melville, Whitman, and Dickinson and painters Cole, Bierstadt, Church, Kensett, and Lane will be included. Major themes will include attitudes towards landscape and settlement, a distinctively American character, the nature and utility of art, and ideas of American empire.

CAMS 186.00 Film Genres 6 credits

Closed: Size: 30, Registered: 30, Waitlist: 0

Weitz Center 132

MTWTHF
1:15pm3:00pm1:15pm3:00pm
Synonym: 45065

Carol Donelan

In this course we survey four or more Hollywood film genres, including but not limited to the Western, musical, horror film, comedy, and science-fiction film. What criteria are used to place a film in a particular genre? What role do audiences and studios play in the creation and definition of film genres? Where do genres come from? How do genres change over time? What roles do genres play in the viewing experience? What are hybrid genres and subgenres? What can genres teach us about society? Assignments aim to develop skills in critical analysis, research and writing.

Sophomore Priority, Extra Time Required

Waitlist for Juniors and Seniors: CAMS 186.WL0 (Synonym 45066)

DANC 266.00 Reading The Dancing Body: Topics in Dance History 6 credits

Open: Size: 20, Registered: 8, Waitlist: 0

Weitz Center 231

MTWTHF
1:15pm3:00pm1:15pm3:00pm
Synonym: 46902

Alessandra L Williams

This course will look at dance as a field in which bodies articulate a history of sexuality, nation, gender, and race. Students will survey a range of dance forms in the United States and indigenous communities of the Americas as well as the Caribbean, South Asia, and South Africa. Specific explorations will include classical Indian dance, Native American performance, jazz, contact improvisation, and Hip-Hop performance. Through reading comprehension, written reflections and analyses, classroom dialogue, and oral presentation work, we will outline dance history in terms of anti-colonial and civil rights movements from Modernism through Post-Modernism—that is, from the imperialism at the dawn of the twentieth century to current late-capitalism. Students will be introduced to interdisciplinary methodologies in dance studies by learning to: conduct dance analysis in their accounts for gesture and social context; theorize according to the intersection of multiple social categories; and write autoethnographies or critical inquiries into personal experience.

ENGL 258.00 Contemporary American Playwrights of Color 6 credits

Nancy Cho

This course examines a diverse selection of plays from the 1960s to the present, exploring how different theatrical contexts, from Broadway to regional theater to Off-Off Broadway, frame the staging of ethnic identity. Playwrights and performers to be studied include Amiri Baraka, Alice Childress, Ntozake Shange, George C. Wolfe, Luis Valdez, David Henry Hwang, August Wilson, Philip Gotanda, Maria Irene Fornes, Suzan-Lori Parks, and Anna Deavere Smith. There will be occasional out-of-class film screenings, and attendance at live theater performances when possible.

ENGL 261.00 Telling Your American Story 6 credits

Closed: Size: 15, Registered: 27, Waitlist: 0

Laird 212

MTWTHF
1:15pm3:00pm1:15pm3:00pm

Requirements Met:

Synonym: 46014

Kao Kalia Yang

This is a creative nonfiction course focused around students writing their American stories. The goal of the course is the generation of new narratives to enrich and add complexity to the popular stories of what constitutes America(n). Each assignment will build on the next, culminating in a final portfolio of student writing about their lives and its place in American history and context. 

Prerequisite: Any one English course

ENGL 329.00 The City in American Literature 6 credits

Open: Size: 20, Registered: 13, Waitlist: 0

Laird 212

MTWTHF
10:10am11:55am10:10am11:55am
Synonym: 45601

Nancy Cho

How do American authors "write the city"? The city as both material reality and metaphor has fueled the imagination of diverse novelists, poets, and playwrights, through tales of fallen women and con men, immigrant dreams, and visions of apocalypse. After studying the realistic tradition of urban fiction at the turn of the twentieth century, we will turn to modern and contemporary re-imaginings of the city, with a focus on Chicago, New York and Los Angeles. Selected films, photographs, and historical sources will supplement our investigations of how writers face the challenge of representing urban worlds.

Prerequisite: One English foundations course or one other 6 credit English course, or instructor permission

MUSC 132.00 Golden Age of R and B 6 credits

Andy Flory

A survey of rhythm and blues from 1945 to 1975, focusing on performers, composers, and the music industry.

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