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MUSC 218.00 Listening to Dance Music 6 credits

Open: Size: 25, Registered: 10, Waitlist: 0

Weitz Center 231

MTWTHF
10:10am11:55am10:10am11:55am
Synonym: 55707

Caitlin Schmid

This course explores the relationship between western art music and social dance, staged productions, or stylized concert genres based on social dance and staged productions. Students will examine how bodies have moved to music by asking the questions: which music? and which bodies? Repertoire will range from sixteenth-century French court ballets, to the un-danceable waltzes of Chopin and Brahms, to Hamilton, where hip hop meets colonial American country dance.

MUSC 219.00 The Musical Avant-Garde 6 credits

Open: Size: 25, Registered: 11, Waitlist: 0

Weitz Center 231

MTWTHF
1:15pm3:00pm1:15pm3:00pm
Synonym: 55806

Caitlin Schmid

“Piano Piece for David Tudor #3: most of them were very old grasshoppers.” –La Monte Young (1960). What is an avant-garde? How can music be “ahead of its time”? In this class, students will explore the histories, aesthetics, and socio-cultural contexts of musical avant-gardes and musical experimentalism post-WWII. While the course focuses on art music of the 1950s-1970s (from concert pieces by Stockhausen and Cage, to the “intermedial” art forms promoted by Fluxus, to the avant-jazz of Ornette Coleman and John Coltrane), students will also consider what a musical avant-garde in 2020 might sound like, look like, or act like.

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Requirements
You must take 6 credits of each of these.
Overlays
You must take 6 credits of each of these,
except Quantitative Reasoning, which requires 3 courses.
Special Interests