ENROLL

Dimitrios Pavlounis

While the relationship between media and misinformation is not new, rapid technological change, including the emergence of major social media platforms, has resulted in an information environment where we are constantly confronted by conspiracy theories, manipulated statistics, doctored images, hyperpartisan clickbait, questionable ‘research’ studies, and everything in between. Left unchecked, this flow of misinformation can exacerbate social inequalities and undermine trust in the foundations of a democratic society. This course explores how misinformation spreads across a variety of networked media channels and examines the technical, social, and economic structures that enable this spread. Using current events to ground our inquiry, we will investigate topics such as algorithmic bias and recommendation systems; the evolution of conspiracy theories; memes and visual disinformation; media manipulation tactics; and the cultural capital of social media influencers. We will also develop best practices that can help orient us within our increasingly polluted information environment.  

Held for new first year students

Paul Hager

In this hands-on studio television production course, students learn professional studio methods and techniques for creating both fiction and nonfiction television programs. Concepts include lighting and set design, blocking actors, directing cameras, composition, switching, sound recording and scripting. Students work in teams to produce four assignments, crewing for each other's productions in front of and behind the camera, in the control room, and in post-production.

Extra Time Required

Dimitrios Pavlounis

Extra Time Evening Screenings

Laska Jimsen

This course addresses nonfiction media as both art form and historical practice by exploring the expressive, rhetorical, and political possibilities of nonfiction production. A focus on relationships between form and content and between makers, subjects, and viewers will inform our approach. Throughout the course we will pay special attention to the ethical concerns that arise from making media about others' lives. We will engage with diverse modes of nonfiction production including essayistic, experimental, and participatory forms and create community videos in partnership with Carleton's Center for Community and Civic Engagement and local organizations. The class culminates in the production of a significant independent nonfiction media project.

Prerequisite: Cinema and Media Studies 111 and one additional Cinema and Media Studies course or instructor permission

Extra Time Required

Jay Beck

This course presents the broader field of Sound Studies, its debates and issues. Drawing on a diverse set of interdisciplinary perspectives, the seminar explores the range of academic work on sound to examine the relationship between sound and listening, sound and perception, sound and memory, and sound and modern thought. Topics addressed include but are not limited to sound technologies and industries, acoustic perception, sound and image relations, sound in media, philosophies of listening, sound semiotics, speech and communication, voice and subject formation, sound art, the social history of noise, and hearing cultures.

Prerequisite: Cinema and Media Studies 110 or instructor permission

Laska Jimsen

In this course, students will develop a concept and complete pre-production for their CAMS production comps. Students will draw inspiration from a variety of sources that are personal, cultural, and observational, and in doing so, develop confidence in their own artistic practice and perspective. We will refine technical and formal strategies, consider audience reception, and practice giving and receiving constructive critique. Prior to registering for the course, students must submit a project proposal to the instructor. Final enrollment is based on the quality of the proposal. Note: This course is intended to prepare students for a Comps production project in winter term and it is the first in a two part sequence with CAMS 371. If you have any questions about enrolling in this course, please email the instructor.

Prerequisite: Cinema and Media Studies 111, and either Cinema and Media Studies 270 or 271 or instructor consent

Extra Time Required, Instructor Consent required, Waitlist only