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Your search for courses for 21/WI and with code: LITFORLANG found 9 courses.

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ENGL 118.00 Introduction to Poetry 6 credits

Open: Size: 25, Registered: 20, Waitlist: 0

Location To Be Announced

MTWTHF
10:00am11:10am10:00am11:10am9:50am10:50am
Synonym: 58903

Constance Walker

We will look at the whole kingdom of poetry, exploring how poets use form, tone, sound, imagery, rhythm, and subject matter to create what Wallace Stevens called the "supreme fiction." Examples will be drawn from around the world, from Sappho to spoken word. Participation in discussion is mandatory; essay assignments will ask you to provide close readings of particular works; a couple of assignments will focus on the writing of poems so as to give you a full understanding of this ancient and living art.

ENGL 235.00 Asian American Literature 6 credits

Nancy J Cho

This course is an introduction to major works and authors of fiction, drama, and poetry from about 1900 to the present. We will trace the development of Asian American literary traditions while exploring the rich diversity of recent voices in the field. Authors to be read include Carlos Bulosan, Sui Sin Far, Philip Kan Gotanda, Maxine Hong Kingston, Jhumpa Lahiri, Milton Murayama, Chang-rae Lee, Li-young Lee, and John Okada.

ENGL 249.00 Modern Irish Literature: Poetry, Prose, and Politics 6 credits

Open: Size: 25, Registered: 8, Waitlist: 0

Location To Be Announced

MTWTHF
1:00pm2:10pm1:00pm2:10pm1:50pm2:50pm
Synonym: 58914

Constance Walker

What can and should be the role of literature in times of bitter political conflict? Caught in partisan strife, Irish writers have grappled personally and painfully with the question. We will read works by Joyce, Yeats, and Heaney, among others, and watch films (Bloody SundayHunger) that confront the deep and ongoing divisions in Irish political life.

ENGL 258.00 Playwrights of Color: Taking the Stage 6 credits

Nancy J Cho

This course examines work by U.S. playwrights of color from the 1950s to the present, focusing on questions of race, performance, and self-representation. We will consider opportunities and limitations of the commercial theater, Off-Off Broadway, ethnic theaters, and non-traditional performance spaces. Playwrights may include Alice Childress, Lorraine Hansberry, Amiri Baraka, Ntozake Shange, Luis Valdez, Cherrie Moraga, August Wilson, David Henry Hwang, Philip Gotanda, Maria Irene Fornes, Anna Deavere Smith, and Chay Yew. We will watch selected film adaptations and attend a live performance when possible. 

ENGL 310.00 Shakespeare II 6 credits

Pierre Hecker

Continuing the work begun in Shakespeare I, this course delves deeper into the Shakespeare canon. More difficult and obscure plays are studied alongside some of the more famous ones. While focusing principally on the plays themselves as works of art, the course also explores their social, intellectual, and theatrical contexts, as well as the variety of critical response they have engendered.

Prerequisite: One English Foundations course and English 144 or 244

ENGL 328.00 Victorian Poetry 6 credits

Open: Size: 20, Registered: 10, Waitlist: 0

Location To Be Announced

MTWTHF
2:30pm3:40pm2:30pm3:40pm3:10pm4:10pm
Synonym: 58916

Susan Jaret McKinstry

Living in an era of rapid progress and profound doubt, Victorian poets are prolific, challenging, inventive, and insistent that poetry address contemporary questions of social inequity, science, gender, nation, self, race, and knowledge itself. Readings will include works by Alfred Tennyson, Robert Browning, Oscar Wilde, Matthew Arnold, Dante Rossetti, Christina Rossetti, Charles Dodgson (Lewis Carroll), Gerard Manley Hopkins, and others, as well as cultural images and documents.

Prerequisite: One English foundations course and one other 6 credit English course

GRK 204.00 Intermediate Greek Prose and Poetry 6 credits

Open: Size: 25, Registered: 9, Waitlist: 0

Location To Be Announced

MTWTHF
11:30am12:40pm11:30am12:40pm11:10am12:10pm
Synonym: 59176

Clara S Hardy

The goal for Intermediate Greek Prose and Poetry is to gain experience in the three major modes of Greek expression most often encountered “in the wild”—prose, poetry, and inscriptions—while exploring the notion of happiness and the good life. By combining all three modes into this one course, we hope both to create a suitable closure to the language sequence and to provide a reasonable foundation for further exploration of Greek literature and culture.

Prerequisite: Greek 103 with a grade of at least C-

SPAN 242.00 Introduction to Latin American Literature 6 credits

Silvia López

An introductory course to reading major texts in Spanish provides an historical survey of the literary movements within Latin American literature from the pre-Hispanic to the contemporary period. Recommended as a foundation course for further study. Not open to seniors.

Prerequisite: Spanish 204 or proficiency

Not open to seniors

SPAN 262.00 Myth and History in Central American Literature 6 credits

Yansi Pérez

In this course we study the relationship between myth and history in Central America since its origins in the Popol Vuh, the sacred texts of the Mayans until the period of the post-civil wars era. The course is organized in a chronological manner. We will study, in addition to the Popol Vuh, the chronicles of Alvarado, some poems by Rubén Darío and Francisco Gavidia, some of the writings of Miguel Ãngel Asturias and Salarrué. The course will end with a study of critical visions of the mythical presented by more contemporary authors such as Roque Dalton and Luis de Lión. 

Prerequisite: Spanish 204 or equivalent

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