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Your search for courses for 22/SP and with code: ARTS2D found 7 courses.

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ARTS 113.01 Field Drawing 6 credits

Closed: Size: 15, Registered: 18, Waitlist: 0

Weitz Center 242

MTWTHF
1:15pm3:45pm1:15pm3:45pm

Requirements Met:

Synonym: 61500

Eleanor M Jensen

A beginning drawing course for students who are interested in developing their skills in drawing from nature, to better see and understand their surroundings. Class material covers line, form, dimension, value, perspective, and space using a variety of drawing materials. Subject matter includes specimens, plant forms, and the landscape. Students will use a portable sketchbook, and classes during the second part of the term are primarily outside. Locations include the Arb and field trips; access to these sites does include walking on unpaved paths and uneven terrain.

Sophomore Priority

Waitlist for Juniors and Seniors: ARTS 113.WL1 (Synonym 61501)

ARTS 113.02 Field Drawing 6 credits

Closed: Size: 15, Registered: 17, Waitlist: 0

Weitz Center 242

MTWTHF
9:00am11:30am9:00am11:30am

Requirements Met:

Synonym: 61502

Eleanor M Jensen

A beginning drawing course for students who are interested in developing their skills in drawing from nature, to better see and understand their surroundings. Class material covers line, form, dimension, value, perspective, and space using a variety of drawing materials. Subject matter includes specimens, plant forms, and the landscape. Students will use a portable sketchbook, and classes during the second part of the term are primarily outside. Locations include the Arb and field trips; access to these sites does include walking on unpaved paths and uneven terrain.

Sophomore Priority

Waitlist for Juniors and Seniors: ARTS 113.WL2 (Synonym 61503)

ARTS 117.07 Living London Program: Visualizing Renaissance England 6 credits, S/CR/NC only

Open: Size: 25, Registered: 15, Waitlist: 0

Synonym: 60232

Pierre Hecker, Juliane Shibata

In this introductory course, devised for all skill levels, students will explore England through on-site observational drawing, watercolor, and mixed media. The critical observation and artistic rendering of England’s artifacts, artwork, architecture, gardens, and landscapes will afford students a window into British culture as they acquaint themselves with the country’s visual vocabulary. The course will address the technical aspects of drawing, including how to use line, value, composition, and color effectively. Additional components will include journaling, tours of historical sites, and museum and gallery visits (including the National and National Portrait Galleries, Hampton Court Palace, St. Paul’s Cathedral, etc.).

Prerequisite: Participation in OCS Theater & Lit in London program

OCS Theater & Lit in London Program

ARTS 277.00 Printmaking: Relief Processes 6 credits

Closed: Size: 12, Registered: 14, Waitlist: 0

Boliou 032

MTWTHF
8:30am11:00am8:30am11:00am

Requirements Met:

Synonym: 62846

Fred Hagstrom

The subject will introduce the basics of Relief printmaking. It will explore different mark making and cutting techniques (both traditional and contemporary) suitable for use with a selection of relief printing and registration methods. Relief will cover the use of the reduction (single plate) and multi-plate processes using wood, metal or plastic plates. Safe printing and studio procedures will also be introduced. The subject will look at ways to create drawings as suitable aids for the relief process. Experimentation will be fostered using a variety of tools and print processes to make a series of investigative works. The relief process will be directly linked to its historical origins.

Prerequisite: Studio Arts 110, 113, 114, 210, 211 or 212 or instructor consent

ARTS 278.00 Printmaking: Intaglio Processes 6 credits

Closed: Size: 12, Registered: 15, Waitlist: 0

Boliou 160

MTWTHF
1:15pm3:45pm1:15pm3:45pm

Requirements Met:

Synonym: 61380

Fred Hagstrom

The subject will introduce the basics of Intaglio printmaking. It will explore mark making techniques through the use of a variety of different tools. Traditional intaglio techniques will be covered including hard and soft ground (lift ground), aquatint and dry-point. Copper plate etching along with single and multi-plate printing and registration processes will be covered. Safe printing and studio procedures will also be introduced. The subject will look at ways to create drawings as suitable aids for the intaglio process. Experimentation will be fostered using a variety of tools and print processes to make a series of investigative works. The intaglio process will be directly linked to its historical origins.

Prerequisite: Studio Arts 110, 113, 114, 210, 211 or 212 or instructor consent

ARTS 339.00 Advanced Photography 6 credits

Open: Size: 12, Registered: 10, Waitlist: 0

Boliou 130

MTWTHF
12:30pm3:00pm12:30pm3:00pm

Requirements Met:

Synonym: 61510

Xavier Tavera Castro

In this course students explore photography as a means of understanding and interacting with both the world and the inner self. We will emphasize a balance of technical skills, exploration of personal vision, and development of critical thinking and vocabulary relating to photography. Advanced students will focus on developing a concise body of work independently through two self-directed longer projects. Instruction includes: use of large format cameras with a hand meter, film scanning, and strobe lighting. Students will learn to develop a portfolio as an ongoing process that requires informed and critical decision making to assemble a body of work. Collectively we will critique, analyze, give feedback on work and discuss readings that are pertinent to the production of images in contemporary times.

Prerequisite: Studio Art 140, 141, 238 or 240, 243 or instructor permission

ARTS 360.00 Advanced Painting and Drawing 6 credits

Closed: Size: 12, Registered: 12, Waitlist: 0

Boliou 162

MTWTHF
1:15pm3:45pm1:15pm3:45pm

Requirements Met:

Synonym: 61511

David H Lefkowitz

This course is designed for students who want to explore these 2-D media in greater depth. Students may choose to work exclusively in painting or drawing, or may combine media if they like. Some projects in the course emphasize strengthening students' facility in traditional uses of each medium, while others are designed to encourage students to challenge assumptions about what a painting or drawing can be. Projects focus on art making as an evolving process and a critical engagement with systems of visual representation.

Prerequisite: Either Studio Art 260 or two of the following courses: Studio Art 110, 113, 114, 210, 212, 273, 274

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You must take 6 credits of each of these.
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You must take 6 credits of each of these,
except Quantitative Reasoning, which requires 3 courses.
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