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Your search for courses for 22/WI and in WCC M126 found 4 courses.

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MUSC 189.00 Carleton Symphony Band 1 credit, S/CR/NC only

Open: Size: 100, Registered: 12, Waitlist: 0

Weitz Center M126


Requirements Met:

Synonym: 60933

Claire K Larson

The Carleton Symphony Band performs music selected from the standard and contemporary repertory, including compositions by Holst, Masianka, Arnold and others. Regular sight-reading sessions. Admission by audition.

MUSC 190.00 Carleton Jazz Ensemble 1 credit, S/CR/NC only

Open: Size: 50, Registered: 20, Waitlist: 0

Weitz Center M126


Requirements Met:

Synonym: 60934

Laura S Caviani

The Carleton Jazz Ensemble's focus is on improvisation and the fusion between jazz, rock, funk, and Latin influences. There is no predetermined instrumentation. Rather, the ensemble's size and instrumentation vary each term. String players, vocalists, and any brass or woodwind instrumentalists are welcome to register. The ensemble performs once each term.

Prerequisite: Admission by audition

Admission by audition.

MUSC 196.00 Jazz Workshop 1 credit, S/CR/NC only

Open: Size: 30, Registered: 11, Waitlist: 0

Weitz Center M126


Requirements Met:

Synonym: 61280

Laura S Caviani

This class focuses on the theory and practice of jazz improvisation. Students will develop their improvisational skills by learning and applying various scales, modes, and chord structures to lab performances of standard jazz repertoire on their respective instruments.

Prerequisite: Ability to read music and facility on an instrument/voice: performing knowledge of major scales: or instructor permission

MUSC 225.00 Performing with Electronics 3 credits

Open: Size: 15, Registered: 10, Waitlist: 0

Weitz Center M126


Requirements Met:

Synonym: 61411

Alican Camci

Performing with Electronics is both a survey and a creative course. We will explore historical and contemporary examples of performing with live electronics that incorporate both analog and digital technologies, such as use of turntables and sampling, microphones and speakers, synthesizers, no-input mixing, digital processing, among others. Taking cue from these different approaches to working with electronics in real time, we will investigate ways of approaching a live scenario, designing hardware and software interfaces for performance. Our goal will be learning to perform with our setups, ultimately looking into the possibilities of performing as an ensemble. Recommended to take in tandem with MUSC 208.

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You must take 6 credits of each of these.
You must take 6 credits of each of these,
except Quantitative Reasoning, which requires 3 courses.
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