ENROLL

Yaron Klein

The concept of adab as the liberal arts education of the premodern Arab world presents itself most vividly in the adab anthology. Authors writing in this genre collected and classified the knowledge of their time, drawing on material from a large variety of disciplines: literature (poetic, proverbial, historical-anecdotal), Religion (Quran, prophetic tradition, jurisprudence, theology), linguistics, as well as philosophy and the sciences. This encyclopedic genre represented the ideal of a broad-based erudition, and the perception that education should be entertaining as it is edifying. In this class we will read excerpts from the works of some of the major premodern anthology writers: Ibn Abd Rabbihi, Abu l-Faraj al-Isfahani, al-Ibshihi and al-Nuwayri.

Prerequisite: Arabic 206 or equivalent

Cherif Keita

Reading and discussion of literary works, with analysis of social, historical and political issues, with an emphasis on cultural and literary movements such as Négritude (El Negrismo, in Cuba) and their role in shaping ideas of self-determination, Nationalism and Independence in the French colonies of the Caribbean and Black Africa. We will read works by Aimé Césaire (Martinique), Léopold Sédar Senghor (Senegal), Léon Gontran Damas (French Guiana), Jacques Roumain (Haîti), Laye Camara (Guinea), Mongo Béti (Cameroun), Simone Schwartz-Bart (Guadeloupe) and Alain Mabanckou (Congo). Conducted in French.

Prerequisite: French 204 or the equivalent

Eva Posfay

Through literature, cultural texts, and experiential learning in the city, this course will explore the development of both the "Frenchness" and the hybridity that constitute contemporary Paris. Immigrant cultures, notably North African, will also be highlighted. Plays, music, and visits to cultural sites will complement the readings.

Prerequisite: French 204 or the equivalent and participation in OCS Paris program

Participation in Carleton OCS Paris Program

Scott Carpenter

The rise of newspapers and magazines in the nineteenth century promotes a variety of short genres that will remain popular to the present day: short stories, prose poetry, vignettes, theatrical scenes. In this short course (first five weeks of the term) we'll study short works by such authors as Diderot, Sand, Balzac, Mérimée, Flaubert, Allais, Tardieu, Le Clézio. Conducted in French.

Prerequisite: One French course beyond French 204 or instructor permission

1st 5 weeks

Scott Carpenter

Decried as scandalous, heralded as the first "modern" novel, Gustave Flaubert's Madame Bovary (published in 1857) sparked debate, spawned both detractors and followers, and became a permanent fixture in French culture and even the French language. In this five-week course we will read the novel, study its cultural context and impact, and see how it has been variously re-interpreted in film and other media. Conducted in French.

Prerequisite: One French course beyond French 204 or instructor permission

2nd 5 weeks

Eva Posfay

Through literature, cultural texts, and experiential learning in the city, this course will explore the development of both the "Frenchness" and the hybridity that constitute contemporary Paris. Immigrant cultures, notably North African, will also be highlighted. Plays, music, and visits to cultural sites will complement the readings.

Prerequisite: French 230 or beyond and participation in OCS Paris program

Participation in Carleton OCS Paris Program

Jordan Rogers

While ostensibly a dialogue about how to manage one’s household (oikos), Xenophon’s Oeconomicus provides valuable insights into the ideology of land-ownership in classical Greece. In this class, we will read significant portions of Xenophon’s Oeconomicus in Greek as well as other texts, in English and Greek, that explore household economics. Throughout, we will consider what Xenophon’s text reveals about perceptions of gender roles within the home, notions of citizenship, the role of education, and the institution of slavery in the ancient world. Students will also work together to produce a student commentary of the text.

Prerequisite: Greek 204 or equivalent

Laura Goering

Fyodor Dostoevsky’s last novel, The Brothers Karamazov, is many things: a riveting murder mystery, a probing philosophical treatise, one of the best known novels in world literature, and a complex book worth reading and discussing with serious readers of diverse backgrounds. We will familiarize ourselves with the historical and philosophical context in which it was written, while grappling with the fundamental questions it raises: What does it mean to act morally? Why do humans so often act against their own best interest? How do we reconcile a world of chaos and suffering with the notion of a benevolent god? Conducted in English.

Prerequisite: No prerequisites and no knowledge of Russian literature or history required.

1st 5 weeks, in translation

Laura Goering

Against the backdrop of the Napoleonic Wars, Lev Tolstoy challenges readers to confront some of the most confounding questions of human existence: How can we reconcile the notion of free will with the seemingly ineluctable forces of history? Is individual moral action possible in war? How can we live a meaningful life in the face of inevitable death? And what might lie after death? In this course we read War and Peace in its cultural and historical context, while also considering how it continues to be relevant to our lives today. Conducted in English.

Prerequisite: No prerequisites and no knowledge of Russian literature or history required.

2nd 5 weeks, in translation

Jorge Brioso

Prerequisite: Spanish 205 or above