ENROLL

Yaron Klein

The concept of adab as the liberal arts education of the premodern Arab world presents itself most vividly in the adab anthology. Authors writing in this genre collected and classified the knowledge of their time, drawing on material from a large variety of disciplines: literature (poetic, proverbial, historical-anecdotal), Religion (Quran, prophetic tradition, jurisprudence, theology), linguistics, as well as philosophy and the sciences. This encyclopedic genre represented the ideal of a broad-based erudition, and the perception that education should be entertaining as it is edifying. In this class we will read excerpts from the works of some of the major premodern anthology writers: Ibn Abd Rabbihi, Abu l-Faraj al-Isfahani, al-Ibshihi and al-Nuwayri.

Prerequisite: Arabic 206 or equivalent

Jake N Morton

This course offers an experiential approach to crafts, technologies, and other material practices in premodern societies. Through hands-on activities and collaborations with local craftspeople, farmers, and other experts, this course will examine and test a variety of hypotheses about how people in the past lived their lives. How did prehistoric people produce stone tools, pottery, and metal? How did ancient Greeks and Romans feed and clothe themselves? How did medieval Europeans build their homes and bury their dead? Students will answer these questions and more by actively participating in a range of experimental archaeology and experiential history projects. Lab required.

Prerequisite: One previous Archaeology pertinent course

Pierre Hecker, Andrew I Carlson

This interdisciplinary course, taught in conjunction with a full-scale Carleton Players production, will explore one of Shakespeare’s most celebrated and performed works, Much Ado About Nothing. We will investigate the play’s historical, social, and theatrical contexts as we try to understand not only the world that produced the play, but the world that came out of it. How should what we learn of the past inform a modern production? How can performance offer interpretive arguments about the play’s meanings? Mixing embodied and experiential learning, individual and group projects may include a combination of research, assistant directing, choreography, music direction, dramaturgy, design, exhibition curation, and work in Special Collections.

William L North

Through site visits, on-site projects, and readings, this course explores the ways in which individuals and communities attempted to give physical and visual form to their religious beliefs and political ambitions through their use of materials, iconography, topography, and architecture. We will also examine how the material legacies of imperial Rome, Byzantium, and early Christianity served as both resources for and constraints on the political, cultural, and religious evolution of the Italian peninsula and especially Rome and its environs from late antiquity through the twelfth century. Among the principal themes will be the development of the cult of saints, the development of the papal power and authority, Christianization, reform, pilgrimage, and monasticism.

Prerequisite: Acceptance to Carleton Rome Program

OCS Rome Program

Victoria Morse

This course will explore the lived experience of the city of Rome in the twelfth-sixteenth centuries. Students will study buildings, urban forms, surviving artifacts, and textual and other visual evidence to understand how politics, power, and religion (both Christianity and Judaism) mapped onto city spaces. How did urban challenges and opportunities shape daily life? How did the memory of the past influence the present? How did the rural world affect the city and vice versa? Students will work on projects closely tied to the urban fabric.

Prerequisite: Enrollment in OCS program

OCS Rome Program

Lori K Pearson

Kristin C Bloomer

Hinduism is the world's third-largest religion (or, as some prefer, “way of life”), with about 1.2 billion followers. It is also one of its oldest, with roots dating back at least 3500 years. “Hinduism,” however, is a loosely defined, even contested term, designating the wide variety of beliefs and practices of the majority of the people of South Asia. This survey course introduces students to this great variety, including social structures (such as the caste system), rituals and scriptures, mythologies and epics, philosophies, life practices, politics, poetry, sex, gender, Bollywood, and—lest we forget—some 330 million gods and goddesses.

Sonja G Anderson

How does power flow and concentrate within the Catholic Church? What are the gendered aspects of the structure, history, and theology of Catholicism? Through a combination of readings, discussions, and conversations with living figures, students will develop the ability to critically and empathetically interpret issues of gender, sexuality, and power in the Catholic Church, especially as these issues appear in official Vatican texts. Topics include: God, suffering, sacraments, salvation, damnation, celibacy, homosexuality, the family, saints, the ordination of women as priests, feminist theologies, canon law, the censuring of “heretical” theologians, Catholic hospital policy, and the clerical sex abuse crisis.