ENROLL Course Search
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Alternatives: For requirement lists, please refer to the current catalog. For up-to-the-minute enrollment information, use the "Search for Classes" option in The Hub. If you have any other questions, please email registrar@carleton.edu.
Your search for courses for 23/WI found 4 courses.
MUSC 103.00 Musicianship I 2 credits
Open: Size: 25, Registered: 10, Waitlist: 0
M | T | W | TH | F |
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8:30am9:40am | 8:30am9:40am |
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A course in aural skills, focusing upon sight reading using solfège (movable do, la-based minor), and short melodic dictation exercises of up to four bars in length in major and minor keys.
Prerequisite: Music 101, or permission of the instructor as assessed by a diagnostic exam administered at the start of the term
MUSC 153J.00 Composition (Juried) 1 credit
Open: Size: 8, Registered: 1, Waitlist: 0
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Alican Camci, Andrea Mazzariello
Individual instruction focusing on the student’s original compositions. Course work includes the study of compositional techniques, analysis of relevant works, and computer/MIDI/synthesizer technologies. The course is particularly directed toward the major who wishes to pursue the composition option in the Senior Integrative Exercise.
Prerequisite: Music 220, or two courses from Music 221, 222 or 223 or instructor consent
2022-23 $360 fee
MUSC 253J.00 Composition (Juried) 2 credits
Open: Size: 4, Registered: 1, Waitlist: 0
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Alican Camci, Andrea Mazzariello
Individual instruction focusing on the student's original compositions. Course work includes the study of compositional techniques, analysis of relevant works, and computer/MIDI/synthesizer technologies. The course is particularly directed toward the major who wishes to pursue the composition option in the Senior Integrative Exercise.
Prerequisite: Music 220, or two courses from Music 221, Music 222 or Music 223 or instructor consent
2022-23 $720 fee. Instructor permission
MUSC 320.00 Ambient Music 6 credits
Open: Size: 15, Registered: 11, Waitlist: 0
M | T | W | TH | F |
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11:10am12:20pm | 11:10am12:20pm | 12:00pm1:00pm |
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In the liner notes to his Ambient 1: Music for Airports, Brian Eno claims that ambient music “should accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as interesting.” In this class, we will investigate what we can learn from listening intently to that which is meant to sound in the background. While we will discuss the ambient as a genre, we will also consider its broader implications on how we experience music in everyday life. Our study of the repertoire will be paired with critical readings on ambient music and immersive sound.
Prerequisite: The ability to read music and a previous music course, or instructor consent
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