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Your search for courses for 23/WI and with code: RUSSELEC found 4 courses.
RUSS 205.00 Russian in Cultural Contexts 6 credits
Open: Size: 20, Registered: 7, Waitlist: 0
| M | T | W | TH | F |
|---|---|---|---|---|
| 9:50am11:00am | 9:50am11:00am | 9:40am10:40am |
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Prerequisite: Russian 204 or equivalent
RUSS 237.00 Beyond Beef Stroganoff: Food in Russian Culture 6 credits
Open: Size: 25, Registered: 9, Waitlist: 0
| M | T | W | TH | F |
|---|---|---|---|---|
| 1:15pm3:00pm | 1:15pm3:00pm |
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How did the Russian peasant stove shape culinary culture? Why did Catherine the Great force her subjects to cultivate potatoes? How did the October Revolution change the way Soviet citizens ate? In this course we will study key aspects of Russian history and culture through the lens of culinary history. Topics will include: food and fasting in Russian Orthodoxy; food, class and power under the tsars; high Russian (or is it French?) culture of the nineteenth century; Soviet policies for feeding the worker; non-Russian cuisines in the Soviet Union; drinking culture and anti-alcohol campaigns; food and nationalism in the twenty-first century. Includes hands-on sessions on Russian food preparation. In English.
In translation
RUSS 239.00 The Warped Soul of Putin's Russia 6 credits
Open: Size: 25, Registered: 7, Waitlist: 0
| M | T | W | TH | F |
|---|---|---|---|---|
| 1:50pm3:00pm | 1:50pm3:00pm | 2:20pm3:20pm |
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What is Russia’s problem? Why is the country famous for its great “soul” and culture waging a bloody war and becoming increasingly anti-Western? This course explores the cultural mythology that characterizes the state of contemporary Russian society and its “soul,” using critical approaches from trauma and memory studies, as well as theories of ressentiment and nostalgia. Authors to be studied include ideologues of Putin’s Russia (Surkov, Prilepin), its critics (Sorokin), and other writers, artists, and filmmakers who reflect, define, question, and challenge the direction in which country is moving and give it a cultural diagnosis. In English.
In translation
RUSS 332.00 Chekhov in Film, Film in Chekhov 3 credits
Open: Size: 25, Registered: 8, Waitlist: 0
| M | T | W | TH | F |
|---|---|---|---|---|
| 3:10pm4:55pm |
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Chekhov’s literary oeuvre appeared at the same moment as the birth of cinematography, and the two are closely intertwined. His art rests on what Sergei Eisenstein called the central principle of film: montage, visuality, the constant changing of shots, and dislocation in time and space. It is no wonder that Chekhov’s stories were adapted for the screen in record numbers: to date we count 235 film adapatations plus 10 animated films. In this course we will read several of his best short stories, view films based on his works, and analyze the cinematographic qualities of Chekhov’s prose.
Prerequisite: Russian 205 (previous or concurrent) or instructor's permission
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