Carleton College

AMST 100. Imagining America This course surveys twentieth century literature, film, and music in the U.S. to consider how newcomers first imagine this country and how, in turn, "America" sees them. We'll trace how ideas of Americaness shift over time, reflecting on how understandings of citizenship, freedom, and rights depend on the variable meanings of race, gender, ethnicity, and sexuality. We will have the opportunity to attend the Imagining America conference in Minneapolis to see how scholars and artists work through these questions. 6 cr., AI, WR1, IDS, Fall—A. Estill

AMST 115. Introduction to American Studies: The Immigrant Experience Is America truly a nation of immigrants? What role has immigration played in the construction of an American identity? This course is a team-taught, comparative study of the experience of migrants and immigrants to America and other countries. We will use texts from history, literature, film, psychology, and other disciplines to help us investigate the following topics: the causes of emigration; acculturation and assimilation; changes in family structure and gender roles; discrimination; and ongoing debates about immigration policy in relation to national ideals and principles. 6 cr., HU, WR, RAD; HI, WR2, IDS, Spring—S. Akimoto, C. Clark

AMST 115. Introduction to American Studies: Placing Identities This course will examine the different spaces that inform the production of U.S. identities. We will think about the ways the construction of neighborhoods (urban or suburban) affects our sense of place, ethnicity, and community; we'll consider the impact that border geographies, whether physical or cultural, have on national imaginings; we shall look at contemporary cultural expressions of small town vs. big city life and consider what they feature as particular and unique about Americanness. 6 cr., AL, WR; HI, WR2, IDS, Fall—A. Estill

AMST 127. Introduction to U.S. Latino/a Studies This course will survey the field of Latino/a Studies, juxtaposing it to Chicano, Caribbean and Latin American Studies in order to trace the historical, methodological, and paradigmatic conflicts that led to its institutionalization. How does the lens of U.S. Latino/a Studies help us to examine heterogeneous and changing Latino communities? How are the "Latin Boom" of the entertainment industry and the recent demographic shift that places Latinos as the "majority minority" related? A selection of texts from a variety of disciplines (including history, the social sciences, literature, music, and the visual arts) will inform our discussions. 6 cr., ND, WR, RAD; SI, WR2, IDS, QRE, Not offered in 2011-2012.

AMST 215. Diverse Bodies, One Nation How has the U.S. historically and culturally handled diversity? This course looks at how difference has been negotiated, understood, legislated, represented. We will consider theoretical interventions into issues of race, ethnicity, gender, sexuality, and disability in order to better understand how embodiment matters to understandings of Americaness. 6 cr., HU, WR, RAD; SI, WR2, IDS, Spring—A. Estill

AMST 226. Latinas in Hollywood Latinas have a long history in Hollywood, from silent films to J. Lo. We will examine how the presence of Latinas onscreen reflects the pressures and needs of different eras. We will think about the pressure to "pass" as white and compare that to the insistent stereotypes about Latinas circulated through film. Throughout the course we'll be attentive to the relationship between film and other media, between the U.S. and other countries. What are the linguistic, social, and economic conditions that enable a "cross-over" artist? And how do Latino/a literatures, documentaries, and performances respond to the film and television industries? Prerequisite: Spanish reading fluency a plus, but not required. 6 cr., AL, WR, RAD; LA, WR2, IDS, Winter—A. Estill

AMST 227. Beyond the Border: Latinos Across America The metaphor of the U.S.-Mexico border often determines our understanding of Latinos' place in the United States. This class studies Latinidad in other spaces: New York, the suburban Southwest, the rural Midwest, and the agricultural Southeast. We will use several disciplines--literary studies, history, cultural studies (music, film, and dance), and sociology--to investigate the following questions: How do immigrant Latinos change the communities they move into? How do these communities change Latinos? How are place and identity transformed? How do the mass media influence how Americans think about where and how Latinos belong in the U.S.? 6 cr., AL, WR, RAD; HI, WR2, IDS, QRE, Not offered in 2011-2012.

AMST 230. The American Sublime: Landscape, Character & National Destiny in Nineteenth Century America Focusing on the early nineteenth century struggle to create an American nation and a national culture, we will look at the ways Americans adopted and adapted European ideas, particularly the aesthetic idea of the Sublime, in their attempt to come to terms with the conquest of the new land and its native inhabitants and with the nature of their national enterprise. Writers Irving, Cooper, Emerson, Thoreau, Hawthorne, Melville, Whitman, and Dickinson and painters Cole, Bierstadt, Church, Kensett, and Lane will be included. Major themes will include attitudes towards landscape and settlement, a distinctively American character, the nature and utility of art, and ideas of American empire. 6 cr., AL, WR; LA, WR2, Not offered in 2011-2012.

AMST 238. Native American Literature Study and discussion of Native American literature from its graphic and oral roots to contemporary memoir, fiction, and poetry. Authors read will include Black Elk/John Neihardt, Charles Eastman, James Welch, N. Scott Momaday, Louise Erdrich, Joy Harjo, Susan Power, LeAnne Howe, Leslie Marmon Silko, David Treuer, and Sherman Alexie. Topics to be discussed will include the importance of place, nature, and spiritual life; diverse representations of historical events; complexities of individual and tribal identity; and differences between fictive literature and ethnography. The course will also critique the depiction of Native Americans by Euro-Americans in popular media. 6 cr., AL; NE, Not offered in 2011-2012.

AMST 239. Introduction to Asian American Studies This course is designed as an interdisciplinary study of Asian American identities and cultures. We will address the diversity and fluidity of Asian American experiences through an examination of history, social sciences, literature, and film. Students of all majors and backgrounds are welcome to enroll. 6 cr., ND, WR, RAD; HI, WR2, IDS, Not offered in 2011-2012.

AMST 240. The Midwest and the American Imagination The history of American culture has always been shaped by a dialectic between the local and the universal, the regional and the national. The particular geography and history of the Midwest (the prairie, the plains, the old Northwest, Native Americans and white adventurers, settlers and immigrants) have shaped its livelihoods, its identities, its meanings. Focusing on the late nineteenth and early twentieth centuries, this course will explore literature, art history, and the social and cultural history of the Midwest. 6 cr., AL, WR; HI, WR2, Spring—E. McKinsey

AMST 250. Getting to Know Buffalo Bill Cody An iconic figure of the American West, William F. (Buffalo Bill) Cody was probably the most famous American in the world at the end of the nineteenth century. He is less well-known today. Using my new book on Buffalo Bill as a point of entry, I will conduct a kind of tour of Buffalo Bill's life and the things written about it. Class readings will range from nineteenth-century dime novels to twenty-first century historiography, with detours through Hollywood and Broadway. 6 cr., HU; NE, Not offered in 2011-2012.

AMST 267. Utopia, Dystopia, and Myopia: The Suburbs in American Fiction This course peers through the picture window of suburban life in the United States. Our primary text will be film. To what extent do fictional accounts reflect the scholarly concerns and analytical conclusions of Historians and Social Scientists? What themes are common in film and/or literature but get little attention from scholars? Students will be obligated to view films on their own if designated show times are inconvenient. Some films may be R-rated. Prerequisite: American Studies 115 or sophomore standing. 6 cr., SS, WR; SI, WR2, Not offered in 2011-2012.

AMST 345. Theory and Practice of American Studies Introduction to some of the animating debates within American Studies from the 1930s to the present. We will study select themes, theories, and methodologies in the writings of a number of scholars in the field and try to understand 1) the often highly contested nature of debates about how best to study American culture; and 2) how various theories and forms of analysis in American Studies have evolved and transformed themselves over the last seventy years. The course is not designed to be a fine-grained institutional history of American Studies, but a vigorous exploration of some of the central questions of interpretation in the field. Normally taken by majors in their junior year. Prerequisite: American Studies 115. 6 cr., ND; NE, IDS, Winter—D. Appleman

AMST 396. Suburbanization in America: Causes and Consequences The process of suburbanization transformed the United States in a revolutionary way, yet this was a quiet revolution. Both the causes and consequences of suburbanization can be found in the country's politics, race relations, economy, literature and popular imagery, architecture and design, technology, and our definition of community. This course will take an explicitly interdisciplinary approach to these topics. Prerequisite: American Studies 115 and 345. 6 cr., SS; SI, IDS, Offered in alternate years. Spring—R. Keiser

AMST 399. Senior Seminar in American Studies This seminar focuses on advanced skills in American Studies research, critical reading, writing, and presentation. Engagement with one scholarly talk, keyed to the current year's comps exam theme, will be part of the course. Through a combination of class discussion, small group work and presentations, and one-on-one interactions with the professor, majors learn the process of crafting and supporting independent interdisciplinary arguments, no matter which option for Comps they are pursuing. Students also will learn effective strategies for peer review and oral presentation. Concurrent enrollment in AMST 400 is required. Prerequisite: American Studies 396. 6 cr., ND; NE, Winter—E. McKinsey

AMST 400. Integrative Exercise Students read selected works and view films in the field of American Studies and in a special topic area designated by the program. For integrative exercise examination students only. Prerequisite: American Studies 396. 3 cr., S/NC, ND, Winter—M. Russell

AMST 400. Integrative Exercise Seniors working on approved essays or projects in American Studies with the support of their advisers, will work independently to complete their theses, performances or projects to satisfy the college "comps" requirement. They will be required to give a public presentation on their papers or projects during the spring term. Prerequisite: American Studies 396. 3 cr., S/NC, ND, Winter—M. Russell